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Cinestill 800T Tungsten ISO 800 35mm Film

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One of 2019's best-selling films - and for very good reason!

A film with high light sensitivity and balanced for providing natural colours and skin tones under artificial light, the Cinestill film 800T is a perfect 35mm for all you partygoers and night owls who want to capture an authentic view of your twilight world. Shoot in daylight for a blue tint, which can easily be corrected with a soft warming filter as needed.



Format: 35mm
Colour: Colour
Type: Negative
ISO: 800
Exposures: 36
Pack size: 1


To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Cinestill 800T Tungsten over on EMULSIVE.


Cinestill celebrated it's 5th birthday in 2017, having quickly developed a fantastic reputation world-wide for their innovative approach to fulfilling analogue needs. They are specialists in converting rolls of cinema film - designed for movies - into batches of 35mm and medium format film that can be used in thousands of cameras, and developed in any minilab in the world. Their passion is for everyday photographers to have the same access to high-quality emulsions as Steven Spielberg, Wes Anderson, Martin Scorsese, and The Coen Brothers! Sometimes referred to as Cine Still.

For more information about the brand check out our bio of Cinestill


Where we ship

When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Cinestill 800T Tungsten Film 35mm Colour ISO 800 today and dive back into the fun of 35mm film photography!

Customer Reviews

Based on 53 reviews
Perfect for: Street Photography, Low light/Night

Used it on a miserable day in Port Talbot both inside and out, being 800 it gave good latitude for low light but was slightly grainy as to be expected. Colours are rich if a little strange when capturing lights by having a lovely red glow. I have included a shot inside a tunnel with lights which show the glow and the nice slightly yellow tungsten light. Plus a second a street scene with great colour on the graffiti.

Perfect for: Street Photography, Travel, Low light/Night
Cinestill 800T, rainy night beast

A rainy night to wander the streets of an Asian city lit by neon lights, equipped with a roll of cinestill 800T in my canon A1. Surely one of the best moments of my life as a photographer. In my opinion, this is the best film for taking pictures at night, the halos formed around the highlights give an absolutely brilliant atmosphere to the cities and its deserted streets.
I usually overexpose by 1 stop to have a maximum of information and recover in postprod.
5/5 would recommend

Perfect for: Street Photography, Low light/Night
magic, but not miraculous

having seen so many positive reviews & amazing sample photos I was super keen to try this film out and, in the right conditions, it was magical. low light indoor scenes, or outdoor night photography with a low level of ambient light combined with direct light sources, it was great! BUT. in poorly-lit settings (both indoor & outdoor) where there is no light source in frame and the ambient light is very low, the results were disappointing: muddy shadows and shifted colours.
would definitely try again, now knowing which situations it is best suited to :)

Perfect for: Street Photography, Architecture, Low light/Night
Cinestill 800T 35mm film

If you are looking to shoot night photoraphy with a cinematic feel to it then Cinestill 800T film is for you. I would recommend first that people should research the film to get an idea what to expect. I like the red light leaks that appear on some of the photos. Find a lab that know the film and can process it for you.
Great film that got me back into photography.

Perfect for: Portraits, Creative/Abstract, Travel, Low light/Night
Big Screen, Small Screen, Handheld.

Cinestill 800T the film phenomenon for the past few years. Enter stage left The Irishman (Martin Scorsese and DP Rodrigo Prieto) was shot IN PART on Vision3 500T colour negative film 5219/7219 which in effect is Cinestill 800T with the ramjet/anti halation layer. Digital VFX was used for de aging of the actors.

Quoting directly from web site( which has a specific blog dedicated to this film stock
"our goal on The Irishman was transport the viewer back into different eras of Frank Sheeran's life - WWii,1950's, '60s, '70s, and earley 2000s- with different looks that felt authentic and palpable. Film negative has an innate magic to help you to do this, to reproduce the subtle nuances of feelings on an actors face, as well as create visual environments to embody these emotions" You say a ringing endorsement. Watch The Irishman on Netflix and pause the scene outside the diner at night. Cinestill with the ramjet.

A really good read. I tried to copy the link, click motion, click products,click camera films, click Vision3 500T, scroll down to all blogs.... click, click The Irishman.

5 Stars for Cinestill 800T ( i heard they paint houses)