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Cinestill 800T - 120 Film

Our Price: £14.50 GBP

100090

Description

Cinestill 800T 120 is one of 2020's best-selling films - and for very good reason!

Cinestill 800 is a medium format film with high light sensitivity and is balanced for providing gorgeous natural colours and skin tones under artificial light. Cinestill 800 Tungsten is the perfect companion for partygoers and night owls who want to capture an authentic view of their medium-format twilight world.

Shoot Cinestill 800T 120 film in daylight for a gentle blue tint, which can easily be corrected with a soft warming filter as needed.

Also available in 35mm.

 

Specification

Format: 120
Colour: Colour
Type: Negative
ISO: 800
Exposures: 12
Pack size: 1

 

To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Cinestill 800T Tungsten over on EMULSIVE.

 

Cinestill celebrated it's 5th birthday in 2017, having quickly developed a fantastic reputation world-wide for their innovative approach to fulfilling analogue needs. They are specialists in converting rolls of cinema film - designed for movies - into batches of 35mm and medium format film that can be used in thousands of cameras, and developed in any minilab in the world. Their passion is for everyday photographers to have the same access to high-quality emulsions as Steven Spielberg, Wes Anderson, Martin Scorsese, and The Coen Brothers! Sometimes referred to as Cine Still.

For more information about the brand check out our bio of Cinestill

 

Where we ship

When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Cinestill 800T 120 film today and dive back into the fun of 120 film photography!

Customer Reviews

Based on 33 reviews
91%
(30)
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(1)
T
T.W.
Perfect for: Beginners
Sharing with the Film Community: Yes
Ptetty good

So amazing

C
C.B.
Perfect for: Portraits, Landscapes, Street Photography, Creative/Abstract, Low light/Night
Sharing with the Film Community: Yes
Accreditation Handles: Instagram @calumbradshaw
Perfect for moody low light, works great pushed

It's perhaps cliche to use Cinestill to take pictures of lights at night, but when the results are so gorgeous you can understand why it's so many people's go-to low-light colour film.

Obvious and distinctive look, which may not be for everyone, but the vivid halation around highlights is so rewarding. I shot a roll of 120 pushed by a stop, and the colours all held up really well.

S
S.L.
Perfect for: Portraits, Street Photography, Pinhole/Long-Exposure, Creative/Abstract, Low light/Night
Sharing with the Film Community: Yes
Accreditation Handles: Instagram: Shanillakhlani
Creativity options are endless

I love this film stock so much. You can get so creative with the cinematic feel. It is best, like all colour negative films, to be overexposed. Give it a try at night and heck even in the day for some cool colour casts.

S
S.M.
Perfect for: Pinhole/Long-Exposure, Creative/Abstract, Low light/Night
Sharing with the Film Community: Yes
Accreditation Handles: @sandymilesphotography
Love this film!

I popped a roll of this in my Hasselblad 500CM and think I’m hook on the film now! I metered on the highlights / mid tones, but still lost a little detail in the highlights, although they are there on the negs so maybe a higher res scan would help. I might bracket next time as the exposure latitude is not that forgiving. The blue of modern LED lights doesn’t give the halo effect, but tungsten and red lights look great gives a real cinematographic feel to the images. I’m super pleased with my first roll and I had quite a few good frames ... and not a single petrol station!

J
J.C.
Perfect for: Street Photography, Low light/Night
Sharing with the Film Community: Yes
Accreditation Handles: Joe Curzon / @JoeOnCode (Twitter)

I've always wanted to play with this film and I've had a few shots in mind.
In low light with a Tungsten light source it really did get the effect I was after.

If you get the contrast of a good artificial light source at night time, you can get that certain look.