JCH StreetPan 400 - 35mm Film

Regular Price
Sale Price
Regular Price
Sold Out
Unit Price
translation missing: en.general.accessibility.unit_price_separator 

The JCH Street Pan 400 film has quickly gained a loyal following from 35mm photographers who love its high-contrast and high-grain feel. Images have an interesting charcoal result without losing the sharpness of the subject, and the emulsion is forgiving on overexposure.

When paired with a dark red filter, you’ll find that this high contrast black and white film can also act as an infrared film  — with high sensitivity in the IR range.




Format: 35mm
Colour: B&W
Type: Negative
ISO: 400
Exposures: 36
Pack size: 1



JCH = Japan Camera Hunter = Bellamy Hunt, a man with the most enviable job in existence. He lives in Japan and spends most of his time sourcing film cameras that are rare, high quality, and in demand across the world. Not satisfied with making people's wildest camera dreams come true, he has recently branched out into producing his own film in 35mm and 120 formats. His Instagram account is one of the most beautiful accounts on the site - and rightly one of the most popular within the analogue world.

For more information about the brand check out our bio of JCH


Where we ship

When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your JCH StreetPan Film 35mm B&W ISO 400 today and dive back into the fun of 35mm film photography!

The Analogue WonderLab

When you’ve shot your roll of film and are looking to get it developed and scanned, then look no further than the Analogue WonderLab!

We can process your film for you, scan it at the resolution you need, and email back the files quickly and securely.

We offer FREE tracked shipping to our lab so that you can send us your negatives with total peace of mind. And our lab team are all passionate film shooters themselves, so you know that your film will get the best possible treatment!

Head to the WonderLab page here to read more details, or add the bundled developing above (if available) when you purchase your film.

Please note that our long-term aim is to offer developing for every film that we sell, but this is a work-in-progress. For full details and FAQs please head here

We send all parcels via TRACKED service - free in the UK for orders of film over £50.

This means that when you buy your film from us you will be emailed a tracking link at dispatch, and will be able to follow your parcel’s journey all the way to safe arrival.

Please note that it is not a signed service so you won’t need to be at home to receive your film, and our letterbox-friendly boxes fit through the vast majority of European letterboxes!

You will have different shipping options and costs at checkout, depending on how quickly you need your film. Please refer to the Delivery Details page for full information

Get Inspired

Visit our Wall of Inspiration to read different film reviews and see images from our talented Analogue Wonderland community.

Take a look

Customer Reviews

Based on 36 reviews
Arty Winker
Perfect for: Street Photography, Pinhole/Long-Exposure, Architecture, Creative/Abstract, Low light/Night
Sharing with the Film Community: Yes
Accreditation Handles: @artywinker (instagram)
Contract with the Contrast

The strength of this film stock is also its flaw. If you're after images with clarity, deep blacks and high contrast then this is definitely worth a punt.
The problem with that is that detail can be missed. In general, I would say the midtones of Ilford HP5 are the standard bearer for bnw photography, you see it everywhere because it is so reliable. With that though comes a bit of predictability, are you taking photographs to fit in with a genre or trying to capture something differently?
Film prices are obviously a bone of contention at the moment and choosing a film stock that may not deliver on every frame is a gamble. However, when it hits right it really produces nice results.
You could perhaps produce something similar in post by playing around with the tones and contrast if you don't want to get locked into a style on the negative but that's introducing a whole other discourse!
I have also found that it does a lovely job on long exposures. If I knew I was going out with the tripod for the sole purpose of long exposures then this would arguably be my go to stock. On some of my photographs over 60 seconds the whites almost have a silver type look to them.
All in all I would recommend this film stock. If you fancy stepping out of your comfort zone and seeing how your photographs could look in a punchier contrast then give it a go.
Now why don't you take a wander over to my work on Instagram @artywinker

Perfect for: Great All-Rounder, Beginners, Portraits, Landscapes, Street Photography, Architecture, Creative/Abstract, Travel, Studio work, Low light/Night
Sharing with the Film Community: Yes
Accreditation Handles: @wildmanimage
Great allrounder

Contrasty, able to handle filters and get great effects. Easy to develop and always great results, pleasing grain

Alexander Norman
Perfect for: Street Photography, Architecture, Creative/Abstract
Sharing with the Film Community: Yes
Accreditation Handles: @alexnormanphotography

This film is a stunning deep contrast, atmospheric black and white film. With this film being well known for its street style i was really impressed with the outcomes achieved. It does seem less versatile than other 400 ISO black and white films however, the results you can achieve are stunning.

john dewhirst
Perfect for: Street Photography, Architecture, Creative/Abstract
Sharing with the Film Community: Yes
Great film but needs TLC

My first time using this film, i was surprised at the extent of contrast. Looking at the outputs (developed by AW) there are a few where I have underexposed for the shadows but where you get the exposures sorted I've been delighted with the results. I was also happy with the level of grain which is not excessive. With this film in particular I think the lesson is err on overexposure and think about metering the shadows.

Perfect for: Landscapes, Street Photography, Architecture
Sharing with the Film Community: Yes
Not just for Street

I got some nice dark and moody results shooting landscape, which worked well on a stormy day. Would probably benefit from better metering than I gave it. Looking forward to trying it again.