Ilford SFX 200 - 120 Film
Our Price: £12.50 GBP100274
SFX 200 film from Ilford is a premium B&W film created for high-quality and high-detail infrared photography. Add an intense red filter to get unique and powerful images.
As always with infrared we recommend aiming your camera at full vegetation and dramatic cloudy skies. In medium format this infrared film will dazzle with its detail and other-worldly impact.
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Ilford over on EMULSIVE.
Ilford was founded in 1879 in the English town of the same name. They are B&W royalty in the photography industry thanks to their 140-year heritage and their support for photographers with chemicals and development as well as film. In the mid-20th Century they produced several well-regarded camera lines (including one given to Princess Elizabeth that was later stolen!) but today they are focused on producing the best films and development processes that they can.
For more information about the brand check out our bio of Ilford
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy Ilford SFX Film 120 B&W ISO 200 today and dive back into the fun of medium format film photography!
I bought this film and some IR filters to have a play with the idea of shooting "near" infrared. This isn't a true IR film -- it's a perfectly good B&W film at 200 ISO -- but it is sensitive to infrared light, so if you put a 760nm filter on and add about 6-8 stops to your exposure, you get a mysterious whitening of foliage that changes the entire mood of a landscape.
I put this roll in a Fuji GW690ii "Texas Leica" rangefinder 6x9 on a trip to Dunkeld and the Hermitage Forest in Scotland. In autumn, there's not so much chlorophyll, which I think would render foliage brighter white, but I'm quite pleased with the results and will come back for more.
Another 3.5 star film for me, and this time because of the price. I'll tend to wait for it to go short date before picking up and here's why. (current price £13)
It's not really any better than Rollei 400 IR in my opinion, and certainly not worth twice the price. If this ever drops to within shouting distance of the Rollei film I may try another roll. It's also ISO 200 which means longer exposure times with a red filter (ISO 25 is pushing it for hand-held use with this) or an IR720nm filter. The reciprocity is less flexible too, and when you couple this with (for example) an IR filter, it can make for some silly (6 minute+) exposure times.
I shot this side by side with the Rollei film when I was looking for my "IR go to" film, and there's not much in it quality wise between the two - certainly to my old eyes. Sharpness is very good, and the grain is pleasing (to my old eyes anyway). It's a great film, but hard to buy at the price point when there's others just as good for less money.
I use this for landscapes with a dark red or orange filter to get some dramatic skies and a lot of detail in the distance even if it's a bit hazy.
The film is quite sensitive to light leaks etc so good to load /unload in subdued light and wouldn't use if the lights seals/bellows on the camera aren't super tight.
The main point of using SFX200 is to utilise it's near IR sensitivity. It doesn't give that IR until a 720nm IR filter is used. Red or dark red filters will darken skies but only lighten foliage a little.
Grain can be a bit of issue but this can be tamed by developing in an ultra fine grain developer such as Perceptol. It has more controlled contrast compared to the extremes seen with the Rollei films. Retro 80s can for example yield blown highlights and limited shadow details on the same negative. Even more importantly is that the Ilford film is produced to a much higher standard than the Rollei films judging by the number of times I've experienced emulsion artefacts with the latter. The big BUT of course is the price. It's double the price of the Rollei films. Its a shame as it's a great emulsion which would no doubt be used more if it wasn't so expensive.
I foun)d this film OK. I shoot digital infrared a lot (subtle mono tones, not fake colour stuff. I was hoping that combining this film with an ordinary red filter would give a gentle IR feel to conventional B&W images. The result was poor. Found the yellow filter more useful. I know a deep red filter might suit better but I wasn't after the full IR effect. It's expensive film, so I won't buy any more.