Foma Retropan 320 Film - 120 Film
Our Price: £5.00 GBP100182
Eine wunderbar weiche Emulsion, die jetzt im Mittelformat erhältlich ist: Dieser 120- film liefert einen geringen Kontrast in all Ihren Bildern und hilft Ihnen dabei, wunderschöne Porträts bei wunderschöner Beleuchtung zu erstellen.
Es wird auch häufig in der technischen Fotografie verwendet, um Bilder zu reproduzieren, ohne strenge Kontrastbeschränkungen aufzuerlegen. Ein sanfter letzter Blick.
|Farbe:||B & W.|
Um mehr über die obigen Details zu erfahren, können SieBesuche unsere film oder wenn Sie sich inspirieren lassen möchten, besuchen Sie unsere Seite unterwähle deinen nächsten film. Und wenn Sie alle Details zum film einschließlich technischer Informationen wünschen,Lesen Sie mehr über Foma Retropan auf EMULSIVE.
Foma geht auf Prag im Jahr 1919 zurück. Seitdem sind sie in der Tschechischen Republik geblieben und haben im Laufe des vergangenen Jahrhunderts an verschiedenen Filmen, Papieren und Chemikalien gearbeitet, die von medizinischen Fakultäten und dem Militär sowie von gewöhnlichen Fotografen in Osteuropa verwendet werden. Ihre Schwarz-Weiß-Filme sind das Ergebnis jahrzehntelanger Erfahrung - Sie werden nicht enttäuscht sein!
Weitere Informationen zur Marke finden Sie in unserer Biografie vonFoma
Wohin wir versenden
Wenn Sie Ihre Kamera film von uns kaufen , können wir es in Großbritannien, Europa, USA, Neuseeland, Australien und Kanada weiteren Ländern geplant bald versandt! So kaufen Sie Ihre Foma Retropan Film 120 B & W ISO 320 heute und tauchen wieder in den Spaß von 120 film - Fotografie!y!
Similar to Bergger Pancro this gives a more muted image - no punchy blacks. I did love my results from it but I would say it wouldn't be my every day film stock of choice. I certainly recommend that you try it though!
My friend Keith asked me if I had tried Foma Retropan 320 and I hadn't. I was intrigued enough to load a roll of Retropan 320 in my Agfa Isolette 1 medium format folding camera and had a wander around town taking snapshots of local landmarks. I developed it in Kodak HC-110 dilution B and I am quite pleased with how the film performed in my 65 year old camera. I like Fomapan film for it's classic grain and Retropan 320 has plenty of it, but in a pleasing way. It has just the right contrast to give good separation between tones without looking like mush. I enjoyed trying this film out and have another roll for another sunny day that I am looking forward to using. That's all that matters with any film, if you look forward to using it again, buy some more. This is exactly what I am going to do next pay day so I can explore the capability of Retropan 320 some more.
I don't know how I feel about this film, it came out very nicely with the shadow detail and grain which does make it look old, but it was a mixed bag and out of the 10 exposures I got maybe 3 that i was truly happy with.
I bought a couple of 120 rolls to try and used them in my Mamiya 7ii on a walk by the Thames between the O2 and the Thames Barrier on a sunny January Saturday at low tide. I developed it in Microphen. On scanning, my first impression was that many shots were a disappointment, I don't think it handles certain subjects that well, but then I noticed this one and printed it in the darkroom and it's changed my opinion of this film, in that it's one of those where if you get the subject right it gives you an image quite different from any other film - it is soft, it is grainy, it is low contrast, and it has a period look (it doesn't look like a photo taken in 2021) and can give a glow. I've not quite got this print right (the sky isn't right) but it is a negative I want to return to in the darkroom and produce a large fibre-based print: there's not that many negatives I have which warrant the effort but I think this one does and that's a consequence of this film. I'm going to buy some more.
I usually shoot Foma 100 but thought I would try out Retropan. I sourced some of the Foma Retro developer and would recommend doing so with this film. It's easy enough to mix up and store and isn't very expensive. Some of the video reviews online talk about the grain being over the top in the 35mm version, but all I can say is the look that the 120 film gave with teh recommended developer was very pleasing. It's certainly not going to give edge to edge sharpness (it's called Retropan Soft remember) but for dreamy scenes this film looks amazing. It's almost certainly not an everyday/all situations film though. I shot it in my Bronica SQA and was a bit lackadaisical with the metering. The examples here were mobile phone shots of the negs, (far from perfect in terms of distortion etc), developed in Snapseed. The warmer tone is without converting the file to b&w and the cooler one is after a simple b&w conversion. I really like this film and can't wait to use it in my Holga Pinhole Wide as I think this may be a fantastic combination. Watch this space.