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Silberra Ultima 160 - Película de 35 mm

Agotado

100214

Descripción

Derivado del mismo material base que el Ultima 200, pero con un control de detalle más estricto y un ISO 160, esta film tiene capas anti-rizado y una base de plástico delgada para facilitar el escaneo. Comparte las características de infrarrojos cercanos en condiciones de poca luz, lo que debería convertirla en una film de paisajes fantástica.

 

Especificación

Formato: 35 mm
Color: B & amp; W
Tipo: Negativo
YO ASI: 160
Exposiciones: 36
Tamaño del paquete: 1

 

Para comprender más sobre los detalles anteriores, puedeecha un vistazo a nuestra guía de film o si quieres algo de inspiración, dirígete a nuestra página eneligiendo tu próxima film. Y si desea conocer todos los detalles sobre la film, incluida la información técnica,leer sobre Silberra Ultima 160 en EMULSIVE.

 

Silberra se formó en febrero de 2017 como una rama de una empresa rusa que distribuye Ilford y Foma en todo el país, además de dirigir una de las principales tiendas de fotografía film de Rusia. Desde que comenzaron el viaje para crear su propia marca de film en asociación con una fábrica local Micron, han trabajado incansablemente para superar los diversos obstáculos y problemas en la búsqueda de su objetivo: hacer un nuevo conjunto de películas desde cero que brindará resultados excepcionales a fotógrafos de film de todo el mundo.d.

Para obtener más información sobre la marca, consulte nuestra biografía deSilberra

 

 

Donde enviamos

Cuando nos compre la film de su cámara, podemos enviarla a todo el Reino Unido, Europa, EE. UU., Nueva Zelanda, Australia y Canadá, ¡más países planeados pronto! ¡Así que compre su película Silberra Ultima 160 de 35 mm en blanco y negro ISO 160 hoy y vuelva a sumergirse en la diversión de la fotografía de film de 35 mm!y!

Customer Reviews

Based on 7 reviews
71%
(5)
14%
(1)
14%
(1)
0%
(0)
0%
(0)
J
J.H.
Perfect for: Great All-Rounder, Portraits, Landscapes, Street Photography, Architecture, Creative/Abstract, Studio work
Sharing with the Film Community: Yes
Accreditation Handles: Joe Horner
Tricky to handle but worth the effort!

First things first, this film is on a THIN base. We're talking Rizla thin and that makes it a little tricky to handle!

Not only that, the roll I had was about 8 full frames over-length so wouldn't physically fit in a Patterson reel! Hardly a problem getting all that extra but it would have been nice to know ahead of time - if I'd known I wouldn't have put it in the EOS that rewinds after 36 frames regardless :D

There were no published dev times for any of the developers I have in stock, so I took a punt at Rodibnal 1+25 for 7 mins 20 sec based on the Massive Dev Chart figures for Silberra 100 and 200. Seems to have been about right. The film dries amazingly flat, and scans nicely.

There's nice contrast, a good range of tones, and it's very very sharp! The attached scans were done at 1600dpi for speed, minimal post (slight levels tweak on a couple of frames where I mis-metered). There's plenty of detail left on the film for higher res if wanted.

Definitely one I'll be buying more of, just a shame they don't do it in medium format!

J
J.
Perfect for: Great All-Rounder, Portraits, Street Photography, Travel
Sharing with the Film Community: Yes
Accreditation Handles: https://www.jamieworsfoldphotography.co.uk/
Nice tones.

I was pleasantly surprised with this film. It has lovely tones - particularly for detail shots. Has some good detail in the shadows. Grain is nice too.

C
C.J.
Perfect for: Portraits
loving the contrast on this

I shot this as my first return to black and white film, definitely impressed with the results from an outside shoot with fill flash

N
N.C.
Perfect for: Street Photography
Underwhelming

I found this film pretty underwhelming overall, it lacked the contrast I was expecting and was a total nightmare to load onto a spool when developing. I wouldn't recommend it over any of the Ilford stock for the price.

C
C.M.
Perfect for: Great All-Rounder, Architecture
Nice, but...

I really liked the look of this film developed semistand in HC-110 1:160 for 45 mins - see sample image. My only problem is that I found it very difficult to load onto the plastic developing reels I normally use. After a while I gave up and dug out an old lasagna reel, which (barring the inevitable spots) worked fine.

I will be using this film again; it has the kind of tonal qualities I normally only see in much slower, high-contrast films.