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Rollei Infrarrojos - Película de 35 mm

Our Price: £6.00 GBP



La herramienta creativa óptima, esta film de 35 mm se puede filmar de dos formas diferentes. En primer lugar - como una film en blanco y negro recta ISO 400, con un resultado espectral leve debido a la sensibilidad de infrarrojos. Alternativamente, lo empareja con un filtro rojo oscuro para enfocarse desproporcionadamente en el espectro IR. Los árboles serán de un blanco brillante, la gente brillará, el cielo será de un negro oscuro y usted será recompensado con algunas de las imágenes más dramáticas directamente de la cámara. Tenga en cuenta que esto aumentará significativamente la exposición necesaria y responderá a una sensibilidad de ISO 12-2525)


Formato: 35 mm
Color: Infrarrojo
Tipo: Negativo
YO ASI: 400
Exposiciones: 36
Tamaño del paquete: 1

Para comprender más sobre los detalles anteriores, puedeecha un vistazo a nuestra guía de film o si quieres algo de inspiración, dirígete a nuestra página eneligiendo tu próxima film. Y si desea conocer todos los detalles sobre la film, incluida la información técnica,leer sobre Rollei Infrared en EMULSIVE.

Como empresa, Rollei es más famosa por sus cámaras, en particular la icónica Rolleiflex de doble lente, pero esta empresa con sede en Alemania fundada en 1920 también ha tenido una larga trayectoria en la realización de películas en blanco y negro. Desafortunadamente, la empresa matriz no sobrevivió a la revolución digital de los años 90/00, pero la marca sobrevive hoy bajo licencia de AgfaPhoto, que continúa respaldando emulsiones antiguas y nuevas.

Para obtener más información sobre la marca, consulte nuestra biografía deRollei

Imágenes de muestra c) Jelle yMartin Brigden

Donde enviamos

Cuando nos compre la film de su cámara, podemos enviarla a todo el Reino Unido, Europa, EE. UU., Nueva Zelanda, Australia y Canadá, ¡más países planeados pronto! Así que comprar su 35mm Rollei película infrarroja infrarrojos ISO 400 hoy y volver sumergirse en la diversión de la fotografía de 35mm film!y!

Customer Reviews

Based on 21 reviews
Jessica Goodwin
I love it.

First time using, and honestly? This film gives some of the most beautiful results I’ve ever seen on film. Shot with a 25A Red Filter attached on a cloudy, cold and rainy day with little splashes of sun here and there in late May. Strong contrast, moody and sharp with very little grain. I have ordered more infrared film to try out, but I look forward to when this comes back in stock so I can give it another go and see what I can get in warmer and brighter conditions.

Michael Norris
Early Days!

I have only shot one roll of 35mm so far so early days to make a complete judgement. With an IR 720 filter was able to get a couple of acceptable shots by bracketing exposure, most shots were however were overexposed. I used some of the roll without a filter and was agreeable surprised. See shot of Gate. Developed in Ilfosol3 @1+4, 6 mins @ 23 degrees agitation 10 secs each minute.

Reviewer avatar
Peter Redvers Jenkins
interesting and unusual film

Tried this out on a bright sunny day to get a decent exposure time and after failing at the first attempt succeeded at the second attempt with a range of exposures at F8 rom 1/8th to 4 seconds best seemed to be at around 1 second. Developed in ID 11 stock solution for 7 min .
This film gives interesting results. Not sure I would use it on a regular basis but where the results were justified I would use it again. I have dabbled in Infra red for many years first using a Kodak Ir colour transparency film Process E4 and I have also uses an IR concerted digital camera . It is great for experimentation.

Joe Horner
Easier than expected!

I bought this some time ago but have avoided shooting it until today because, frankly, I was a little worried about getting it wrong! But, finally, it got loaded into my faithful old Chinon CE5 (the camera I'm most familiar with so least likely to mess up with) and set off armed with a 28mm f2.8 lens, a light meter, a normal red filter, and a 720nm opaque IR filter.

The instructions say to expose as 400ASA unfiltered or 25ASA with an IR filter but said nothing about normal reds. So I started off guessing at 100ASA for that but soon discovered that the TTL metering, with the camera set to the base 400ASA, seemed to be agreeing with the hand-held set to the "filtered" speeds so I just trusted the TTL for the rest of the roll - really couldn't have been easier!

The biggest problem was framing and focusing with the IR filter. First, you can't see through it, and, second, especially on close shots, there can be a significant difference between visible and IR focus.

Very happy indeed with most of the results, with both the IR and the red filters!

In the attached images, the two similar shots of the boat are red-filtered and IR filtered, it's hopefully clear which is which! The gate is red filtered, and you can already see some lightening of the foliage creeping in. The others are IR filtered.

Developed for 7.5 minutes in Rodinal 1:25 and scanned @ 1440dpi.

J A Warren
First results.

Just run my first film through my F801 and I am quite pleased so far. I processed on Rodinal 1:25 for 9 mins, my usual first try with a new film but I think the Massive Development Chart's recommendation s probably spot on, i.e. 1:50 for 12 minutes. That will be next. Otherwise, as compared to using th e720nm filter on digital, a much stronger effect is acheived. Rated at ISO25 exposure seems to be OK.