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Rollei Superpan 200-120 Película

Our Price: £6.00 GBP



Creativamente flexible: esta es una film de formato medio que se puede filmar en blanco y negro normal, con transparencia en blanco y negro o en infrarrojos cuando se combina con filtros rojos fuertes. Entonces, si aún no está seguro de su visión final pero desea opciones, esta es la emulsión 120 para usted.u.



Formato: 120
Color: B & amp; W
Tipo: Negativo
YO ASI: 200
Exposiciones: 12
Tamaño del paquete: 1


Para comprender más sobre los detalles anteriores, puedeecha un vistazo a nuestra guía de film o si quieres algo de inspiración, dirígete a nuestra página eneligiendo tu próxima film. Y si desea conocer todos los detalles sobre la film, incluida la información técnica,leer sobre Rollei Superpan en EMULSIVE.


Como empresa, Rollei es más famosa por sus cámaras, en particular la icónica Rolleiflex de doble lente, pero esta empresa con sede en Alemania fundada en 1920 también ha tenido una larga trayectoria en la realización de películas en blanco y negro. Desafortunadamente, la empresa matriz no sobrevivió a la revolución digital de los años 90/00, pero la marca sobrevive hoy bajo licencia de AgfaPhoto, que continúa respaldando emulsiones antiguas y nuevas.

Para obtener más información sobre la marca, consulte nuestra biografía deRollei

Imágenes de muestra c) Hyun Woo Kang yMax Chang


Donde enviamos

Cuando nos compre la film de su cámara, podemos enviarla a todo el Reino Unido, Europa, EE. UU., Nueva Zelanda, Australia y Canadá, ¡más países planeados pronto! ¡Compre su Rollei Superpan Film 120 B & amp; W ISO 200 hoy y sumérjase en la diversión de la fotografía de 120 film !y!

Customer Reviews

Based on 9 reviews
Perfect for: Great All-Rounder, Portraits, Landscapes, Architecture, Creative/Abstract, Travel, Studio work
Sharing with the Film Community: Yes
Accreditation Handles: https://www.flickr.com/photos/redversphotography/
Blown away by the images created

This is the second time I have used this film This time on a second Bronica S2a bought as needing repair . It needed two small screws. Exposed as per normal ISO 200 asa . F 8 at either 1/125 or 1/250. This time developed with Kodak HC110 dilution B 1:32 for 8.5 min. Slightly longer tan the 8 min recommended. Stop was an indicator stop bath and Fixed with Ilford fixer. Love the quality and detail that I obtained with this film. It is definitely a film I would use again in 120 and 35mm formats.

Perfect for: Great All-Rounder, Landscapes, Architecture, Creative/Abstract
Sharing with the Film Community: Yes
Very versatile B&W film

I was really surprised by how much you can get out of this film in different situations. From "soft" feeling dreamy images with natural light to really contrasty images using B&W filters. This flim really delivered and the sharpness and details is great.

Perfect for: Great All-Rounder, Portraits, Landscapes, Street Photography, Architecture, Studio work
A workhorse film

A great film I shot this on a Bronica S2a with a nikkor 200mm lens on a walk round cartmel. I was impressed with the negs as soon as they came out of the wash. They scanned in well and needed very little modification in lightroom. ( the modern alternartive to the dark room)

Perfect for: Great All-Rounder, Beginners, Portraits, Landscapes, Street Photography, Architecture, Travel, Low light/Night
Just wow

Brilliant results on this 120mm film, that I wasn't expecting much from but whoa what a nice character to them! This is an excellent stock even for a foggy day handhled shooting, can't wait to shoot more of it in the future in better light conditions. If you want pictures smooth like butter, Superpan200 is definitely worth trying!

Perfect for: Great All-Rounder, Street Photography, Architecture, Creative/Abstract
Nice contrasty film

I really enjoyed this film. At 200 ISO it gives a bit more latitude than the alternative slow speed 100 films (or 80 in Rollei's case). Results are fine grain but contrasty and with a bit more of an edge than the 80S, or something like FP4 for example.

I'm not one for some of the modern hyper-contrast and designer grain film stocks, but this feels like a nice compromise - achieving good contrast and grain but with a bit of class and not pandering to short lived contemporary whims.