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Lomography Metropolis - 120 Film

Our Price: £13.50 GBP

100346

Descrizione

Lomography Metropolis 120 è la PRIMA film negativa a colori di medio formato sul mercato da oltre cinque anni!

Lomography Metropolis 120 è stato realizzato con cura per produrre foto desaturate e ad alto contrasto - ottimizzate per imitare l'estetica dei cinema e dei libri fotografici dei vecchi tempi - e molto diverse dagli altri film freschi disponibili per l'acquisto oggi.

Dopo una campagna Kickstarter di grande successo per raccogliere i fondi di produzione, Lomography sta suscitando questa splendida film di medio formato LomoChrome Metropolis al mercato!

Prendi subito un rullino per goderti la grana fine, i neri profondi, il contrasto elevato e la curva tonale brusca per alcune fotografie su film medio formato davvero drammatiche.Per maggiori informazioni su come ottenere il meglio dal film, consulta il nostro articolo diI consigli interni di Lomography!

Disponibile anche in35 mm e110 formato.

Specifiche

Formato: 120
Colore: Colore
Genere: Negativo
ISO: 100-400
Esposizioni: 12
Dimensioni confezione: 1

 

Per capire di più sui dettagli sopra puoicontrolla la nostra guida ai film o se vuoi un po 'di ispirazione, vai alla nostra pagina suscegliendo il tuo prossimo film.

 

Lomography è da decenni in prima linea nella rivoluzione analogica. A partire dal 1992 con alcuni studenti viennesi che si innamorarono dell'estetica di una particolare macchina fotografica sovietica, l'iconica LC-A, fondarono un movimento e un'azienda che avrebbe introdotto una nuova generazione alle gioie delle fotocamere di plastica e dei film sperimentali. Innova periodicamente nuove fotocamere per formati esistenti e talvolta ripristina formati appositamente per le loro fotocamere! - sono vibranti e creativive

Per ulteriori informazioni sul marchio, dai un'occhiata alla nostra biografia diLomografia

 

Dove spediamo

Quando acquisti la tua film fotografica da noi, possiamo spedirla in tutto il Regno Unito, Europa, Stati Uniti, Nuova Zelanda, Australia e Canada, altri paesi pianificati presto! Quindi acquista oggi la tua pellicola Lomography Metropolis 120 e tuffati nel divertimento della fotografia su film Lomography di medio formato!y!

Customer Reviews

Based on 6 reviews
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J
J.W.
The Man From Lomo

The description of this film intrigued me. Would it produce colours evoking hanging out with Bowie in 1970s Berlin, or resembling stills from a classic Cold War Spy Movie? I desided to try it out on a dull and rainy day in Cumbria in February-a dull and rainy day even by the usual standards of Cumbrian winter days, rating the film at ISO 400 in my Rolleicord. While wandering round Brougham churchyard just outside the Lake District, I found lots of minimally wintry greens and browns to turn my lens on. Metropolis took me back to my earliest days in photography, when Margaret Thatcher was PM, there was still a Soviet Union and New Romantics ruled the charts. The colour rendering was pleasingly evocative of the likes of Kodacolour and Agfacolour . The punchy contrast cut through the greyness. Overall I can't wait to fire up another roll, maybe in the city...LOMO not FOMO!

A
A.H.
Gritty & great

My new favourite film. Typically you would think to use this in industrial areas, but where this film really stands out is when you introduce vivid colours into the shot, turns bright colours into muted yet beautiful shades that are full of depth! The contrast on this film is spectacular!

A
A.D.
Trying something different

Was intrigued to try this one as I liked the idea of high contrast and low saturation.
Shot it at ISO 200 on a Mamiya tlr and had it lab processed, probably should have had it scanned at the time too!
Quite taken with the results, I got the subdued tones I was hoping for on some autumnal pictures of local holiday resorts. Mostly shot on fairly dull, grey days which possibly helped to give the effect I was looking for.
Definitely one to use again.

D
D.
Like it for now and then

I tried a 35mm film of this back in February and wasn't sure about it (did a review). I thought I'd see how it was on a brighter day, and also wanted to try the 120mm. The photos that I like, I really like: they have a delicate and slightly dream-like quality (as a vague guide, the flowers at the front of the garden photo are in fact bright orange). I'm not sure if I wouldn't get the same solour effect pulling a decent (cheaper) colour film, but maybe I would also lose definition I may have to experiment. I think if this film is in the camera a bit of extra thought is needed as to whether what you want to photograph will really suit (or be suited by) this film, and that's not a bad thing. But then, you have to allow for happy accidents as well, as always.

G
G.G.
A new film type

I had wanted to try this film for a while and finally shot it, in a Coronet super flash Box Camera.
As such the film was exposed at the lowest of the recommend box speed.

The roll was shot on a bright sunny day and then lab processed. There is a a slight muting of the colours but not to the degree I have seen in others images.

Overall I think it's an O.K. film stock but not something I would found myself shooting regularly