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Rollei RPX 400 - Pellicola 35mm

Our Price: £5.50 GBP

100163

Descrizione

La più flessibile delle popolari emulsioni RPX in bianco e nero, questa film 35 mm ISO 400 è famosa per i suoi toni ricchi e i dettagli delle ombre: le tue immagini in qualsiasi situazione di illuminazione appariranno straordinariamente nitide e chiare.

Specifica

Formato: 35 mm
Colore: B & amp; W
Genere: Negativo
ISO: 400
Esposizioni: 36
Dimensioni confezione: 1

Per capire di più sui dettagli sopra puoidai un'occhiata alla nostra guida ai film o se vuoi qualche ispirazione, vai alla nostra pagina suscegliendo il tuo prossimo film. E se desideri i dettagli completi sul film, comprese le informazioni tecniche,leggi di Rollei RPX su EMULSIVE.

Come azienda, Rollei è famosa soprattutto per le sue fotocamere, in particolare l'iconica doppia lente Rolleiflex, ma questa azienda tedesca fondata nel 1920 ha anche una lunga storia nella realizzazione di film in bianco e nero. Sfortunatamente la casa madre non è sopravvissuta alla rivoluzione digitale degli anni '90 / 2000, ma il marchio sopravvive oggi su licenza di AgfaPhoto, che continua a supportare le emulsioni vecchie e nuove.

Per ulteriori informazioni sul marchio, dai un'occhiata alla nostra biografia diRollei

Tutti gli scatti campione c Martin Zimelkaka

Dove spediamo

Quando acquisti la tua film fotografica da noi, possiamo spedirla in tutto il Regno Unito, Europa, Stati Uniti, Nuova Zelanda, Australia e Canada, altri paesi in programma a breve! Quindi acquista oggi la tua pellicola Rollei RPX 35mm B&N ISO 400 e tuffati nel divertimento della fotografia su film 35mm!y!

Customer Reviews

Based on 13 reviews
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J
James Selway
Perfect for: Great All-Rounder, Beginners, Portraits, Landscapes, Street Photography, Travel
Sharing with the Film Community: Yes
Accreditation Handles: James Selway
Very flexible B&W film. Lovely grain

First time shooting this film and absolutely love it. I will be ordering more of this and use it for all occasions.

Having been shooting HP5 quite a bit recently, I can say this has much finer grain, and slightly more contrast and has some lovely tones. All example photos are with no adjustments.

Shot on Contax 167mt with Zeiss 50mm f1.7. Developed in Ilford DD-X 1:4 and scanned on Epson 4180 flatbed.

Highly recommend this film and drys nice and flat too!

C
Chuck
Perfect for: Great All-Rounder, Landscapes, Street Photography, Architecture
Sharing with the Film Community: Yes
Accreditation Handles: @chuckbbird35mm
Very versatile

Responsive when shooting indoors & has a real classic black & white richness, pretty smooth grain. Try a roll instead of an Ilford for a change.

D
Daryl Ball
Perfect for: Great All-Rounder, Beginners, Landscapes
Sharing with the Film Community: Yes
Accreditation Handles: monochromemomento
One to add to favourites

Having stuck mainly to Fomapan and Kentmere since my first amateur forays into film photography I thought I'd try and be a little more adventurous and stray beyond my usual tried and tested. Having used other reviewers to guide me I settled on trying a roll of Rollei RPX400.
I chose a sunny day and armed with a Zenit 11 (also getting its first airing after an ebay purchase) I headed to the iconic Giants Causeway. The images achieved exceeded my own expectations! I love the results and these are some of my favourite shots to date. (see pics included) I'll definitely be using again in other cameras and look forward to seeing future results.

D
Derrick Wu
Perfect for: Beginners
Sharing with the Film Community: Yes
Ptetty good

Whenever I pull RPX from the spool I immediately shed a single tear, for the film is quite possibly the flattest I’ve ever seen straight from the tank. Even HP5, which dries flat, has a slight curl when pulled off the reel. For that alone, I’m ready to applaud.

Exposure latitude is quite good, even besting perennial performers HP5 and Tri-X. With those more popular films I’ve had nothing but success when over-exposing between 100 and 320. RPX 400 matched those by producing excellent results anywhere from 200 to 400. But there is a downside; RPX develops a bit flat, even when using a high-contrast developer like HC-110. While midtones are wonderful, things are generally pretty grey, and this lack of contrast is probably RPX’s biggest weakness (for those who want that punch).

Despite my attempt to give this film a fair shot with a sharp developer (HC-110), my results remained a bit soft across all exposure indices. Of course, sharpness doesn’t mean much at all, but if you’re after that bite you’ll want to look elsewhere.

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Peter
Perfect for: Great All-Rounder, Beginners, Portraits, Landscapes, Street Photography, Architecture, Creative/Abstract, Travel, Studio work
Sharing with the Film Community: Yes
Accreditation Handles: @camerafilmandcoffee (instagram)
Rich tones and smooth images

It took me a while but I finally got around to trying some RPX400. From the first roll I could tell it would become a firm favourite of mine.
The tones are what stand out to me the most - rich, inky blacks with highlights that keep details very respectably. It's certainly unique and difficult to get close elsewhere. It's an excellent look for most photo situations. I have not tried it with portraits as yet but I think it would shine very well and look extremely good (though care must be taken to make sure the deep contrast doesn't exaggerate any wrinkles which I suspect could happen if one doesn't keep an eye on the lighting).
Overall image quality is excellent, smooth, and grain is well controlled and non-obtrusive. It has a more modern look to my eyes rather than a traditional look.
I've used at ISO400 (box speed) perhaps occasionally erring on the side of slight over exposure and i've been quite happy with the results and detail in the negatives. So far all my RPX400 has been developed in HC110 including the sample picture here.
I have not tried pushing the film yet but it's on my to-do list. It already has nice contrast at box speed and pushing would likely increase that a bit so it would be an interesting experiment to try. Of course I've seen very successful pushing results online and have no reason to doubt that it's a good pusher also, but you can never tell these things for definite until you try them yourself.
The price I feel is very fair and about what it should be.
I'd definitely recommend this film. I tend to use different films depending on the situation but it's slowly working it's way into my camera bag more often. Very glad that I gave it a try.