It is probably my most favourite film...after Fp4.
Reliable and perfect to be used in a pinhole camera. I usually develop it with Rodinal 1+50 +10% for a bit more contrast and I always like the results.

Since Kentmere was launched in 120 format I've never been without a couple rolls in my bag. It's a versatile film that has delivered reliable, quality results in all sorts of cameras from pinhole and Holga through to Rolleiflex and Bronica cameras. I've pushed it, pulled it, used different developers and always come away with results I've been delighted with.

for the price you really cant beat the detail.
this was shot on a Kodak Recomar 18. developed in ID11.
a great little film and at an excellent price.
Very forgiving film .

I'm still feeling like a beginner in my return to film, and in stepping up to medium format, but this film amazes me given its price: plenty of contrast but also smooth in the greys, and the grain gives character but doesn't get in the way of detail. It encourages me to get out there and take photos! Developed and scanned by AW.

If you're looking for quality on a budget (and who isn't?), then look no further than Kentmere. After getting some very promising results from the 400 in both 35mm and 120, I was really looking forward to the 100. I haven't been disappointed with it after six rolls. Now we have some summer, you could pretty much make this a main use film. The tones were rich and the film responded well to development in Rodinal as well as FX-39. Pyro here I come! While XP2 remains my go to film in 120, Kentmere will definitely be finding a regular place in my bag. Also it doesn't have an excessively curly base and dries nicely flat. Some films have lovely tones , but dealing with them in the darkroom is like wrestling with a snake, as Ted Lasso would say.