superb service, great scanning and coms for this roll, great packaging and free shipping label for the next roll, and really useful advice on my next roll which i messed up and a partial refund which i wasn't expecting or asked for for my film handling mistake, fantastic customer support
Would highly recommend! I always come back to analogue wonderland :)
Wasn't sure what to expect from this film but really loved the colours & overall feel of the images it produces. Will definitely use again!
This is a good all-round film but if you use a heavy medium format camera you might think about using a tripod if the light is a little on the poor side. The colour rendition is excellent as you would expect, but the contrast is lower than I seem to remember from days-gone-by.
It's midday on a sunny summer's day. The lighting is bright but flat. What are you going to do? Shoot SFX 200 with IR filter, of course. Great results but budget carefully as bracketing is pretty much essential.
I've been a long term user of Ilford HP5+ and HP5 before it and its always been a most able performer with its wide latitude it is perfect for Holgas and other toy cameras where you may need that extra bit of latitude.
Equally use it for everyday use in all lensed cameras - if youre a darkroom printer it prints like a dream in most cases.
Lucky is great news for film with a brand new fairly priced film with magnificent colours, even if it gets a little orange in bright sunlight. Something fresh and high quality to push Kodak to keep their prices down
If you are wanting to capture real a real vintage shoot look no further that this no nonsense retro tones and grain which will transport you to a bygone age. I got my shots on an Olympus Pen EE
Bought to carry my Olympus 35RC and a couple of rolls. Does the job simply and is light but seems strong enough.
Didn’t really know what to expect from this film. Aware of the low iso rating I waited for some bright weather to shoot the film.
Was delighted of the results it captured great detail and produced some very atmospheric shots with very fine grain. I’m going to try it lower light. Was really impressed with it for portraits.
Warm colours, Excellent results. First film I ever used very satisfied with the results. Perfect for beginners.
I bought a roll of Azure at the photo show this year and decided to go shoot it just for some fun.
I love how these have turned out. (Minus the weird streaks, I'm not sure how they got there but I think it was my fault when developing maybe?)
I'm definitely going to be shooting more of this and other creative films for some fun. It's a lovely way to break out of a creative rut and to be able to shoot with no pressure etc
If you go into shooting this film with an open mind, I don't think you'll be disappointed!
This is a fantastic film for capturing warm tones, especially during golden hour. It has the classic halation that you'd expect from Cinestill 800T but much more controlled, which also adds to the warmth.
That said, the reds and oranges come through very saturated, which sometimes can make skin tones look less natural or flattering. Even so, it's a great choice when you're after warm/golden tones and I'd definitely give a proper portrait session a go with it.
A sharp film, and a good 400 speed film. Not sure if it's won over Delta or not but still......
I don't know how often I'll use this film. It's convenient for dull weather days (lots of them in the UK!) but I'm not too keen on the tonality.
A lovely film for saturation. Landscapes and nature photography benefit greatly from it. Not so sure about people photography though. Skin tones tend to get a little over saturated.
This film is great for huge enlargements and really hits the spot when it comes to fine grain. It seems that it is best used at 20 ISO rather than pulled to 12.
I primarily use Kodak Gold 200 for colour, this is just as good. The contrast is great and the colours are warm. Would definitely use again.
This is actually Kodak Aerocolor (specifically Aerocolor IV 2460). Medium-speed, fine-grain colour negative aerial surveillance film designed for high-altitude reconnaissance and mapping.
Re-spooled by many companies. It has a unique colour palette with punchy primary colours. Not something for everyday. Stick to Gold or ColourPlus for that.
I was expected deeper, more contrast blacks. Instead what I got was underexposed, washed out photos. It feels like the film needed to be rated at 200 ISO, to give more light.
Slightly cheaper than CineStill 800T in most places. Same film. Colours really pop. Grain in minimal. Expose for a zone 7 highlight, then over expose by 2 stops.
Taking using a Canon EOS 300X. First time using Delta 3200. It is VERY grainy. Much more so than Kodak TMAX 3200 for example. These samples were developed in HC110. Good very night night street work.
Shot using a Yashica Electro 35 GX camera. I first shot a roll of this in Madrid due to not having anything else available. I was really pleased by the slightly muted, yet rich colours. Reminded me a little of Kodachome 64 is some sense. One of my favourite film stocks now.
I first shot Phoenix II on 35mm. After watching the review from Shaka1277 on YouTube (https://www.youtube.com/watch?v=bYndyx0npng), I decided to pull 1 stop and expose as 100 ISO. I continued this method when using 120 too. I think the results are excellent, considering its Harmans second attempt at colour film. Can't wait for Phoenix III!
I was pleasantly suprised by the colour saturation on the Candido film as they are now my favourite brand for everyday photography.
