Description
Following the success of Phoenix, Harman Photo continues its colour film journey with HARMAN RED 125 - a brand-new, professionally finished redscale film that transforms everyday scenes into cinematic masterpieces.
This ISO 125, 36-exposure 35mm film is designed for those who love to experiment, offering a dramatic colour palette focused on reds, oranges, yellows, and greens. Developed using standard C-41 processing, it delivers high contrast, bold vibrancy, and a beautifully grainy texture, making every shot stand out.
Built from the Harman Phoenix 200 emulsion, HARMAN RED 125 takes full advantage of its high red sensitivity and lack of an anti-halation layer, making it a perfect fit for redscale conversion.
Follow @harmanphoto and share your work using #HarmanRed and #HarmanPhoto. They'd love to hear your feedback, and have added a QR code inside the packaging so you can share your thoughts on the product and what you'd like to see next.
Photo above taken on a Horizon 202 film camera by (c) Harry Ma.
Features and Benefits:
- Professionally Finished Redscale Film with Bold Tones: Designed for experimental and creative photographers, this redscale film delivers rich reds, fiery oranges, and deep yellows with high contrast and a beautifully grainy texture. Whether you're capturing dramatic landscapes, moody urban scenes, or artistic portraits, every frame is infused with cinematic character and depth.
- Built on Harman Phoenix Emulsion: With high red sensitivity and no anti-halation layer, this film reverses the Harman Phoenix emulsion to create a signature redscale effect, providing deep, moody hues while maintaining flexibility for different lighting conditions.
- Versatile ISO Range with Creative Flexibility: With a DX-coded cassette, this film is rated at ISO 125 but with the ability to be shot between ISO 50 and 400, giving you full creative control. Underexposing results in coarser grain, deep reds, and strong shadows, while normal exposure produces consistent orange tones and balanced contrast. Overexposing delivers fine grain, bright highlights, and unexpected colour shifts - perfect for experimentation.
Specification
| Format: | 35mm |
| Colour: | Colour |
| Type: | Negative |
| ISO: | 125 |
| Exposures: | 36 |
| Pack size: | 1 |
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film.
Photo credit (c) Paul McKay, Amy Farrer, Alex Hayes, Tom Hoddinott.
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Customer Reviews
Very different film, ordered one roll to see what it was like and just ordered more!
I loved the results from my first roll of Harman Red when I loaded it into my trusty Rollei B35. I was able to shoot a few frames of the setting sun and in bright sunshine, this film is super versatile. This film also captures some unique pinker shaded shots which I wasn’t expecting but it was a great surprise
These are some of the resulting scans of the negatives from the Harman Red film. I expected an apocalyptic and dystopian look. The scans show various orange tones, with deeper orange for underexposed shots and—strangely—a green-tinged look for overexposed shots!
The film was fun to shoot as you tried to imagine the outcome. Is it something I would shoot regularly? Probably not, but it does sum up the fascination of film photography. With different film stocks, you get different results, whether subtle differences, or more extreme, as in this case. This seems to be something I never really considered much when film was mainstream. You just got a film to try and recreate and record the scene you were shooting. You were chasing a realistic look. The experimentation that comes with modern film photography is much more fun!
Definitely worthwhile having some playtime with Harman Red!
