Description
Following the success of Phoenix, Harman Photo continues its colour film journey with HARMAN RED 125 - a brand-new, professionally finished redscale film that transforms everyday scenes into cinematic masterpieces.
This ISO 125, 36-exposure 35mm film is designed for those who love to experiment, offering a dramatic colour palette focused on reds, oranges, yellows, and greens. Developed using standard C-41 processing, it delivers high contrast, bold vibrancy, and a beautifully grainy texture, making every shot stand out.
Built from the Harman Phoenix 200 emulsion, HARMAN RED 125 takes full advantage of its high red sensitivity and lack of an anti-halation layer, making it a perfect fit for redscale conversion.
Follow @harmanphoto and share your work using #HarmanRed and #HarmanPhoto. They'd love to hear your feedback, and have added a QR code inside the packaging so you can share your thoughts on the product and what you'd like to see next.
Photo above taken on a Horizon 202 film camera by (c) Harry Ma.
Features and Benefits:
- Professionally Finished Redscale Film with Bold Tones: Designed for experimental and creative photographers, this redscale film delivers rich reds, fiery oranges, and deep yellows with high contrast and a beautifully grainy texture. Whether you're capturing dramatic landscapes, moody urban scenes, or artistic portraits, every frame is infused with cinematic character and depth.
- Built on Harman Phoenix Emulsion: With high red sensitivity and no anti-halation layer, this film reverses the Harman Phoenix emulsion to create a signature redscale effect, providing deep, moody hues while maintaining flexibility for different lighting conditions.
- Versatile ISO Range with Creative Flexibility: With a DX-coded cassette, this film is rated at ISO 125 but with the ability to be shot between ISO 50 and 400, giving you full creative control. Underexposing results in coarser grain, deep reds, and strong shadows, while normal exposure produces consistent orange tones and balanced contrast. Overexposing delivers fine grain, bright highlights, and unexpected colour shifts - perfect for experimentation.
Specification
| Format: | 35mm |
| Colour: | Colour |
| Type: | Negative |
| ISO: | 125 |
| Exposures: | 36 |
| Pack size: | 1 |
| DX Coding | Yes |
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film.
Photo credit (c) Paul McKay, Amy Farrer, Alex Hayes, Tom Hoddinott.
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This film has more looks than a panto dame at Xmas. You can over or under expose it and achieve a result that ranges from an almost sepia monochrome, to an another workly post apocalyptic horror move scene. The thing I love most is, regardless of how you shoot it, the image stands out a mile in your gallery, there’s no mistaking it, even compared to other rescale films, this has its own unique flare. I also like that Harman have went the extra mile with little add ons such as the red cap on the film tub and the design of box. The bright red film backing lets you know you have a special film in your hand.
Skies come out with amazing colour. Plants and faces, less so. It was good shooting it, correct exposure was easy. Low grain.
Not sure if I want to print out many, though.
First of all it's cool as all heck that colour film is being made in the UK again. Beyond the initial hype, Harman Red can produce some real bangers... But there is a learning curve to it. For the price this film is the it boy
Like your typical lomography purple or turquoise film, this is Harman's spin on redscale film. Results are fantastic and apocalyptic. Will definitely buy it again.
Like staring into fire. So red and orange. Feels like living in Mad Max.
