Description
Following the success of Phoenix, Harman Photo continues its colour film journey with HARMAN RED 125 - a brand-new, professionally finished redscale film that transforms everyday scenes into cinematic masterpieces.
This ISO 125, 36-exposure 35mm film is designed for those who love to experiment, offering a dramatic colour palette focused on reds, oranges, yellows, and greens. Developed using standard C-41 processing, it delivers high contrast, bold vibrancy, and a beautifully grainy texture, making every shot stand out.
Built from the Harman Phoenix 200 emulsion, HARMAN RED 125 takes full advantage of its high red sensitivity and lack of an anti-halation layer, making it a perfect fit for redscale conversion.
Follow @harmanphoto and share your work using #HarmanRed and #HarmanPhoto. They'd love to hear your feedback, and have added a QR code inside the packaging so you can share your thoughts on the product and what you'd like to see next.
Photo above taken on a Horizon 202 film camera by (c) Harry Ma.
Features and Benefits:
- Professionally Finished Redscale Film with Bold Tones: Designed for experimental and creative photographers, this redscale film delivers rich reds, fiery oranges, and deep yellows with high contrast and a beautifully grainy texture. Whether you're capturing dramatic landscapes, moody urban scenes, or artistic portraits, every frame is infused with cinematic character and depth.
- Built on Harman Phoenix Emulsion: With high red sensitivity and no anti-halation layer, this film reverses the Harman Phoenix emulsion to create a signature redscale effect, providing deep, moody hues while maintaining flexibility for different lighting conditions.
- Versatile ISO Range with Creative Flexibility: With a DX-coded cassette, this film is rated at ISO 125 but with the ability to be shot between ISO 50 and 400, giving you full creative control. Underexposing results in coarser grain, deep reds, and strong shadows, while normal exposure produces consistent orange tones and balanced contrast. Overexposing delivers fine grain, bright highlights, and unexpected colour shifts - perfect for experimentation.
Specification
| Format: | 35mm |
| Colour: | Colour |
| Type: | Negative |
| ISO: | 125 |
| Exposures: | 36 |
| Pack size: | 1 |
| DX Coding | Yes |
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film.
Photo credit (c) Paul McKay, Amy Farrer, Alex Hayes, Tom Hoddinott.
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this film gives a very dramatic effect. Outside on a clear day it reminds me of "the man who fell to earth" or Mars maybe. In my shed with a white photo light on it gave a green hue. I will use it more consciously next time now I know its capabilities.
For those who loves everything hinging on red, orange and yellow. Intense as hell. For unique photo experience.
Coming home from work a recently I saw the most intense sunrise I had ever seen, the sky, the streets, the buildings were the most intense red colours I had ever seen it was only at its best for a couple of minutes and I was unable to photograph it sadly. This new film from Harman is the nearest I will probably ever come to replicating those scenes, it's great for moody portraits unusual landscapes and weird night shots. A surprisingly good occasional but all round film that makes the familiar unfamiliar
Intense and apocalyptic. When you want your red to be BURNING RED!
Red-bias film, so don't mess about shooting blues and greens with it - go. full-red. I love the grain and the contrast. Exposure is good, better in good light. Really enjoyed shooting this film and I'm making a red-themed frame set of the best shots.
