Cinestill 800T 35mm film is consistently one of our most popular colour films! It is a high-speed tungsten film designed for capturing natural and artificial lighting with a cinematic quality.
Cinestill 800T has the unique characteristic of being daylight-balanced for tungsten (3200K) light, creating a distinct cinematic look with high contrast and vibrant colours.
Features:
- Film speed of ISO 800 with enhanced sensitivity to red hues - Motion picture film technology adapted for still photography - Suited for low-light and night-time photography
Benefits:
- Captures stunning cinematic style images with natural skin tones and vivid colours - Can be used in various lighting conditions, making it perfect for indoor or outdoor shots - Its grain structure gives the photos a vintage feel reminiscent of classic films, perfect for artistic or creative projects - and with characteristically strong halation! - Suitable for professional use in fashion, portrait, product photography, or any other artistic endeavour that requires high-quality imagery
Shoot CineStill 800T 35mm film in daylight for a blue tint, which can easily be corrected with a soft warming filter as needed.
CineStill celebrated it's 5th birthday in 2017, having quickly developed a fantastic reputation world-wide for their innovative approach to fulfilling analogue needs. They are specialists in converting rolls of cinema film - designed for movies - into batches of 35mm and medium format film that can be used in thousands of cameras, and developed in any minilab in the world. Their passion is for everyday photographers to have the same access to high-quality emulsions as Steven Spielberg, Wes Anderson, Martin Scorsese, and The Coen Brothers! Sometimes referred to as Cine Still.
For more information about the brand check out our bio of CineStill
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your CineStill 800T 35mm film today and dive back into the fun of 35mm film photography!
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CineShill 800T (TM) sponsored by Shell... apparently.
Rebranded & repackaged Kodak motion film under the guise of originality. There's obviously nothing wrong with this until you start trying to trademark a number and a letter. Boycott Cinestill, they're the biggest bullies on the petrol station forecourt.
love love this film. When in NYC i had only used half the film on the night so had to use the rest during the day. For the sake of it i just shot it normally to see how it would turn out. I was so happy with the result would 100 percent use this again even to shoot during the day.
I love Cinestill 800t for general evening and night time street photography the colour rendition is certainly in your face and it's nice to hand hold occasionally at night, these latest shots were taken at Silverstones racing car museum and the famed halation put it an appearance wherever they can. Nigel Mansells Red 5 looks like there is a light sabre striking through it. Lesson learned then for museum or theatre photography maybe a filtereddaylight balanced film is a better option if you don't care for light sabres through your photographs
A
Alex H. (London, GB)
Perfect for:Portraits, Low light/Night
Accreditation Handles:@photic.box
Cinematic, low light tastiness with a satisfying halation/burn!
Title covers it really. I'm not super experienced with film yet but this was a very fun roll to get back from the lab. It leans quite blue in daylight/white light of course but even then the colours are satisfying.
The halation/light burn you get from direct light or point light is very cool and, if you're chasing it, it fun and surreal.
It's a dreamy film! Can't wait to shoot more now that that I've experimented with a roll.
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Pete (Leicester, GB)
Perfect for:Creative/Abstract, Low light/Night
not my personal favourite but good for certain low light situations
I would say that this film can shine in low light / night situations with a lot of the scene indirectly lit; the sample photos seem manipulated towards higher saturation; I enjoyed using it daytime indoors with available light only. ... If you can afford Portra 800 it would be a better choice for more natural colours and greater flexibility while Cinestill can bring out certain hues and higher contrast and can be manipulated but with less predictable results; never tried it daytime outdoors at 500 with a recommended filter but I reckon it would need a fair amount of practice to achieve pleasing results. I have seen a few great outdoor photos with interesting saturation (although not uniformly across the spectrum) but cannot think of using it that way regularly myself; if there is a good amount of both direct and indirect light it can perform outdoors ok but colours may be a little unpredictable; not what I would be willing to experiment with or aim for. Some might think it offers opportunities for creative portraits; arguably portra will give you a lot more natural skin colour. in any case most light sources will be easily blown (missing annihilation) and extended to unpleasant halos esp noticeable in very low light and highly contrasting scenes.
I have managed to get what I wanted during my visit of some Eastern European friends mainly with available light and with no harsh direct light sources; the colours are not quite there but some might enjoy the neutral render.