Kodak Pro Image 100 - 35mm Film - Analogue Wonderland - 1

Kodak Pro Image 100 - 35mm Film - Analogue Wonderland - 2

Kodak Pro Image 100 - 35mm Film - Analogue Wonderland - 3

Kodak Pro Image 100 - 35mm Film - Analogue Wonderland - 4

Kodak Pro Image 100 - 35mm Film

Name: Kodak Pro Image 100 - 35mm Film
Brand: Kodak
SKU: 100212
Price: 39.5 GBP
Availability: InStock
Rating: 4.79 (156 reviews)

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Rolls: 5

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£39.50 £65.00

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Kodak Pro Image 100 is a professional-grade 35mm colour film that delivers exceptional results for your holidays. With its fine grain and vibrant colours, this film captures the essence of your travels with stunning clarity and detail.

Kodak ProImage has been around since 1997 and is famous for its physical stability: Pro Image can cope with heat and humidity much better than the average colour film! It is also the most affordable 'Pro' film in the Kodak range.

Features:

- Professional-grade 35mm colour film
- High physical stability: the emulsion is resistant to high heat and humidity
- Fine grain for sharp, detailed images
- Wide exposure latitude for shooting in a variety of lighting conditions
- Excellent skin tone reproduction for portraits

Benefits:

- Capture your holiday memories with stunning clarity and detail
- Take the film into rainforests, on beach trips, and other situations where you might normally worry about film keeping it’s colours and tones
- Enjoy vibrant colours that bring your photos to life
- Create beautiful portraits with excellent skin tone reproduction
- Trust in the quality of a professional-grade film for your most important moments

Video Review

Specification

Format:	35mm
Colour:	Colour
Type:	Negative
ISO:	100
Exposures:	36
Pack size:	5 / 1

To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film.

Kodak - properly known as Kodak Eastman - was founded in America in 1888 and dominated the "Western" world of photography for the next 100 years, constantly in fierce rivalry with the Japanese Fuji. Similarly to Fuji the advent of digital photography at the turn of the century caused significant financial problems. A late attempt to win in the compact market was hit by the rise of mobile photography and bankruptcy followed in 2012. Fortunately the photography business has survived under the Kodak Alaris name - based in Hertfordshire, England - and they have delighted the analogue industry by pledging continued support for film production and the promise of bringing back old favourite emulsions.

For more information about the brand check out our bio of Kodak

Sample shots (c) Mani.Rae/Flickr, Douglas Arruda, and Mateus Hidalgo used under CC BY-ND 2.0, shot on Kodak Pro Image 100

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Perfect for: Great All-Rounder, Street Photography

Accreditation Handles: Scudmonkey

Better than Gold

I'm not a fan of Gold and thought I'd give ProImage a try when I needed to check a new camera purchase (1935 Certo Dollina). Quite neutral/natural in terms of saturation and contrast - giving more scope to adjust in software - but a little more grain than I expected.

Perfect for: Great All-Rounder

Accreditation Handles: Maks S.

Good but not grate

Good film if to buy it with discount, but far from perfect.

Perfect for: Great All-Rounder, Beginners, Street Photography, Travel

Accreditation Handles: jystyn instagram

Good All Round Film. Excellent in good light

A really reliable film that is at its best in good light. Much cheaper than Portra but much better than Gold or Ultramax. Has some grain to give the images character. Also stable at high temperatures so good for the summer or traveling

Perfect for: Landscapes, Architecture

Accreditation Handles: @theoldunsshot1005

Natural Colours but More Grain than Expected

I have enjoyed using Kodak Professional range films like Ektar so I wanted to try ProImage 100 as a lower cost alternative. I shot my first roll in the rather ugly Olympus AZ300 Superzoom which has shot some nice B&W images. When I got the scans from the Wonderlab I found the colours to be natural and not super saturated like Ektar. Viewing the shots at full screen it was obvious there was noticeable grain, which surprised me. Other consumer grade films I have shot in the past, like Agafa Vista 200 and Gold 200, had finer grain than this. Is it the film? Camera's exposure? Processing? Who knows? I don't dislike the look, but this film may not be my budget choice in future.