Adox HR-50 - 35mm Film

Sale price£7.00

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Customer Reviews

Based on 23 reviews
skida (Blyth, GB)
Perfect for: Landscapes, Street Photography, Architecture
Accreditation Handles: @theoldunsshot1005
Low Grain and Detail

I tried out this Adox film in my Ricoh KR10 and was delighted with the results. Low grain, good sharpness and wonderful sky details without a filter. It is a film I will use again.

W. (Worcester Park, GB)
Perfect for: Portraits, Travel
Accreditation Handles: @limityourexposuree
Nice balanced Film

Amazingly sharp film from adox, I was surprised by how forgiving the exposure latitude is with this, highly recommend for situations where you'll be shooting outdoor portraits wide open.

Alina W. (Dunfermline, GB)
Perfect for: Portraits, Landscapes, Architecture, Studio work
Accreditation Handles: @street_and_event_photography
An interesting film at a good price.

I think this film is good for landscapes and cityscapes photography. ISO 50 is not very suitable for my favourite street photography genre, but you can make a good portrait with this film. It is declared as a "moderate contrast" film, but I find its contrast to be quite high. Overall, an good film at a good price.

Ted A. (Manchester, GB)
Perfect for: Landscapes, Street Photography, Architecture, Creative/Abstract, Studio work
Accreditation Handles: @tedayre
Unbelievably crisp and dramatic!

So HR-50 is an exceptionally sharp and clear film, with really deep blacks and bright whites. In already contrasty scenes it adds a lot of drama, and emphasises the difference between shadows and light. It's definitely not an all-rounder, and wouldn't be my 'go to' film, however it's a really good option from a small independent company. Bonus points for Adox as they actually make all their products in-house over in Germany - support small business!

Cameron S. (Macclesfield, GB)
Perfect for: Street Photography, Creative/Abstract
Accreditation Handles: Flickr - CamShaw74
Incredible film. My favourite B&W 35mm stock at present.

Deep blacks and sparkling whites. But also with lovely creamy mid-tones. ISO 50 is also perfect as it allows opening up the aperture a bit for a shallower depth of field. Just great on classic cars and chrome. The only downside is the film seems to be a bit more 'dusty' than Ilford's range, but that's just an annoyance.

Not an all-rounder, but with the right subject matter, it just shines.

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