Ilford Ortho Plus 80 - 35mm Film


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Sale price£10.00

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Customer Reviews

Based on 78 reviews
83%
(65)
14%
(11)
1%
(1)
1%
(1)
0%
(0)
M
Matthew D. (Waltham Forest, GB)
Perfect for: Great All-Rounder, Beginners, Portraits, Landscapes, Pinhole/Long-Exposure, Architecture, Travel, Studio work
Safelight convenience

Great to be able to use this film under a safelight. Helps me make sure I'm actually loading the reel properly!

T
Thomas F. (Ballymena, GB)
Perfect for: Landscapes, Creative/Abstract
Accreditation Handles: @teafez
Definitely different!

It's a truly different film stock that isn't the most flexible, but what it does, it does really well

L
Len (Burgess Hill, GB)
Perfect for: Great All-Rounder, Travel
Accreditation Handles: @6666len (instagram)
Great for travelling

I was skeptical to try this film as I don't usually use iso's this low although I chose it as I was travelling and didn't want my film to be affected by airport security and I am really pleased with the results. The film was completely unaffected by airport scanners and I got some nice photos.

M
Matthew D. (Hackney, GB)
Perfect for: Great All-Rounder, Portraits, Landscapes, Pinhole/Long-Exposure, Architecture, Creative/Abstract, Travel, Studio work
Well worth a try.

I've just finished developing these negatives and I think this film is very nice. It's taken me a few attempts to learn to shoot with it and get good results.

R
Rob A. (Grays, GB)
Perfect for: Landscapes, Pinhole/Long-Exposure, Architecture, Creative/Abstract
Accreditation Handles: beyondthenegativephotography.com
A remarkable film - in the right conditions.

A wonderful, if idiosyncratic film. It's incredibly sharp and has a very pleasing tonal range. Being orthochromatic is isn't sensitive to red light which has pros and cons. On the plus side it can be developed with a red safelight which can be helpful. It is also highly sensitive to green and gives wonderful separation of leafy, woodland scenes. On the downside it high sensitivity to blue light makes blue skies almost white - great if the like bland skies. I rarely do so tend to exclude the sky. It's my favourite film for shooting woodland scenes, particularly in spring.

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