Kodak Portra 400 - 120 Film


Pack Size: 5
Price:
Sale price£95.00

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Description

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Customer Reviews

Based on 140 reviews
96%
(134)
3%
(4)
1%
(1)
0%
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1%
(1)
J
Jayden B. (Wallsend, GB)
Perfect for: Great All-Rounder, Landscapes, Travel
Perfect all around film

This is by far my favourite film stock for outdoor photography. The quality is incredible and it does its job even in the gloomy UK weather.

m
matthewc (Egham, GB)
Perfect for: Great All-Rounder, Beginners, Portraits, Landscapes, Architecture, Travel
Accreditation Handles: calvertpics
Lovely realistic colours

Very nice realistic ,vibrant colours with a reasonably fine grain. Even looks good when I multiple exposed one shot (forgot to wind on!!)

R
Ryan (Chesham, GB)
Perfect for: Great All-Rounder, Portraits, Landscapes, Pinhole/Long-Exposure, Architecture
Accreditation Handles: el_spanglez
Absolutely blown away

I've used the various Porta range on my 35mm camera (They're great!) but was not expecting such high quality and fidelity with the 120 variants. I almost was ready to let myself down easily as I am using lomo lubitek 166b - which is the cheaper end of medium format but wow, these came out great even after I accidently opened the back of the camera early.

F
Frazer S. (Fulham, GB)
Perfect for: Great All-Rounder, Portraits, Landscapes
Accreditation Handles: Frazer Shaw
More praise is superfluous for this film

Portra 400 is the best-reviewed and one of the most used films in the world. And it is easy to see why. It is on the pricier side but the results are spectacular.

Portra can handle almost any light conditions and reproduces beautiful, accurate colours that match what was in your mind when you took the photo.

M
Michele W. (Didcot, GB)
Perfect for: Great All-Rounder
Accreditation Handles: @michele.warren.75
Gorgeousness on a plate

This was my first roll of Portra 400 at 120, having very much enjoyed one at 35mm. It's been waiting for a special occasion and an evening trip to a bluebell wood (with tripod) seemed an appropriate time. As I hoped, the colours were just lovely, in a mature and restrained way, capturing the variation from purple to blue according to the incident light. The scans came back with all the range I needed to tweak some of them in post, to match even more closely the feelings I remembered. The grain is so fine at 120 that cropping to landscape or panoramic both felt entirely feasible options.
Yes, it's expensive, but, as a treat now and then, it will make me try especially hard to do the best I can, and seems like it will always be on my side to deliver a beautiful version of what I was attempting to capture.
Yashicaflex C, and AW dev & scan.

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