Kodak Pro Image 100 - 35mm Film
Kodak Pro Image 100 is a classic emulsion that has been around since 1997 but only ever in South America and Asia. But now it finally comes to Europe and North America! The most affordable 35mm within the Pro range, this film delivers great colours and is forgiving on underexposure. Most importantly, though, Kodak Pro Image 100 35mm film is particularly resistant to heat and humidity, which makes it the perfect film to take on adventurous trips. It is also sometimes known as Kodak Prolmage 100.
|Pack size:||5 / 1|
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Kodak Pro Image over on EMULSIVE.
Kodak - properly known as Kodak Eastman - was founded in America in 1888 and dominated the "Western" world of photography for the next 100 years, constantly in fierce rivalry with the Japanese Fuji. Similarly to Fuji the advent of digital photography at the turn of the century caused significant financial problems. A late attempt to win in the compact market was hit by the rise of mobile photography and bankruptcy followed in 2012. Fortunately the photography business has survived under the Kodak Alaris name - based in Hertfordshire, England - and they have delighted the analogue industry by pledging continued support for film production and the promise of bringing back old favourite emulsions.
For more information about the brand check out our bio of Kodak
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Kodak Pro Image 100 Film 35mm Colour ISO 100 5-pack today and dive back into the fun of 35mm film photography!
Ordered a 5 pack of this, and took to Cornwall, leaving digital camera at home. Glad I did. Loved this film for its natural colour and subtle grain. Great all-rounder as happy with portraits as landscapes. Still to try Portra but with this at half the price, I may never get around to it!
I am a ColorPlus 200 fan and always have a few rolls in my stash, but to mix up my films a bit I decided to give Pro Image 100 a try. I'm glad I did. Pro Image was designed for hot and humid climates where film takes a real beating from the weather conditions. We don't get much hot weather here in the UK, but when we do, it has everyone heading for the beaches. This means I can happily shoot around town without any distractions. Pro Image 100 gives great colour rendition with fine grain that sits neatly between ColorPlus and Ektar in both price and quality. Whatever you ask of it, Pro Image 100 will handle it with aplomb.
This was my second roll of film in about 20 years having previously shot a roll of Kodak colorplus 200 which was out of stock and this was on offer. I'm a bit undecided about this film stock to be honest the results from this rolls aren't as pleasing to me as the colorplus but that could be down to the light conditions I shot in.
In terms of pricing, Kodak Pro Image 100 seems to occupy a position between the consumer Kodak films (ColorPlus, Gold) and the Professional line (Portra, Ektar etc.). From my experience, I'd say that the performance lies between these two categories as well.
The colours are nicely saturated, but arguably lack the delicate tonal rendition of higher grade films; to my eye, it seems more on the consumer end of the spectrum in this sense. It does have the pleasing warmth of Gold, and so fits well into the "summer holiday" aesthetic, if that's what you're going for.
In terms of grain, I find it to be on the heavier/more noticeable side for a 100 speed film. Perhaps my perspective has been warped by the remarkable performance of Ektar, but I was surprised to see how evident the grain was at this ISO. Again, this may fit in very well if you're aiming for that particular look, but it may limit the general purpose usefulness of the film. I'd say that it's a bit too intrusive for landscapes, as it obscures some of the fine detail at large reproductions; Ektar presents a far better colour negative option for this purpose, at the same speed.
The latitude seems less broad that its more pricey counterparts as well. I don't know whether it didn't benefit from the technological advances translated from the Vision3 cine films that so improved Portra, but it certainly feels that way. I found that I more readily lost highlight detail than I would using Portra 160, and so again it seems closer to Gold in this sense.
I've seen it reported that the film is very robust, being able to tolerate higher temperatures for longer than other films. I didn't subject my rolls to such conditions, so I can't really comment on this, but it may present an advantage for travel if this is the case.
I'm certainly not against any of the particular aspects described above; I think that the Gold aesthetic is wonderful for certain uses, and gives a very nostalgic feeling to images. However, I fear that Pro Image 100 loses out by falling in between the two price brackets. There seems to be a bigger step up in quality from this to Portra, than from Gold to this. If absolute quality is the aim, then there are certainly better choices for a bit more money. However, if you want the nostalgic Gold look, why not just shoot Gold?
It is called Pro image but the question is, is it?
It is very good the colours reproduce well the grain is not bad the greens and yellows are fantastic. For the price it is a better film for me over say like Kodak Gold 200. But not quite in the same league as Portra or Ektar but still very good.