This is my second favourite Kodak B&W film, after Tri-X, and in a way it's kind of like a faster version of Tri-X. I've really enjoyed shooting TMax 100 in the summer months when ISO 100 just makes all the sense in the world, especially when shooting in bright daylight. I've shot about half a dozen rolls of this film and love the contrast and fine grain it delivers.

This might just be a one-off, but I've never had a 120 film so fiddly to get onto a reel to develop. Took forever (and honestly, it's usually a doddle taking just a moment), and I ended up having a slight crease as it kept falling out.

The results, though, were probably worth trying again, though I'll have to psych myself up for developing.

Good contrast, low grain, even grabbing some low light indoor shots.

Shot with a Yashica 635.

Very good for musicians photos, work very well with strong light, my favorite for a album cover

I used this in a Mamiya c330.
The results were great. Lots of detail, fine grain and nice contrast. It dealt well with a lot of different lighting conditions.
I would use this film again.

This was my first time using T-Max 100, having used the 400 speed version in the past, I wanted to try this one out, and boy do I love it! its clean, its just contrast rich enough for me to maintain detail, whilst also providing a fine grain structure. Its a shame I used it on a miserable day, so will be looking forward to trying it in different conditions in the future!

Good contrast, suitable for portraits and street, landscape etc. Develops in 510pyro with ease and good results.

I love using this film in my box brownies. It's very flexible for over/under exposure (which is handy with an unreliable shutter speed) and has fine enough grain that photos look good through an old, slightly blurry lens.

Good stuff when well exposed and dev’s.

I brought a couple of shorted dated rolls from analogue wonderland to try in an camera that had been stored for 30 years and I wanted something to test it with.

When I got the film developed I couldn't believe how clean they looked with very little grain and holding up well to high contrast scenes (and the camera works!). It has a more modern look compared to something like FP4 which is my go to slow speed film.

I will definitely be using this again as an alternative to FP4!

This film is simply razor sharp with a good amount of contrast, the 100 ASA makes it perfect for studio work. Very fine grain, you will be blown away by the obscene amount of detail that you can capture. I highly recommend this film stock for portraiture, you will be hard-pressed to find a better one in my opinion.

The sample image attached was pushed 2 stops, developed in Ilford LC29 (1+19) with light contrast and curve adjustments in post.

As a pinhole photographer one of the characteristics I look for in a film is its ability to cope with longer exposures without a huge degree of reciprocity failure. Kodak TMAX 100 suffers from this less than some others of the same ISO rating and that made it perfect for shooting pinhole on an overcast afternoon. Exposure times weren't too long and the resulting negatives had enough latitude for me to draw out a little more detail after scanning. Definitely one of my favourites!

I shot this for the first time in my Lubitel 2 and had great results. Really nice details, good contrast and arrange of greys. Definitely use again.

Here is a sample shot from my roll of developed T-MAX 100.

TMAX is really great for any situation. If it were not for the difficulty developing it, I would definitely use it more. It gives great contrast and detail. Kodak's new age B&W does not dissapoint!

Having used Ilford products at 400 and 100 ASA, and Kodak at 400 ASA, with my "new" Rolleiflex model T, I was frankly dissapointed with the results. In the Ilford case I found the results to be lacking in contrast, and both the 400 ASA films showed very apparently grainyness (OK for prints I suppose, but I mainly view digital scans, on a large VHD monitor).

T-Max consistently produces the kind of results I wanted. Very fine grain, and excellent contrast, giving very "dramatic" shots, which is what I wanted for my return to B&W, with the Rolleiflex. They make for the perfect partnership.

The sample shot was taken at 1/125th at f11, processed and scanned by Spectrum Photo Laboratories, with no post-processing other than a top & bottom crop.

I shot two rolls of tmax using an old Agfa Isolette folding camera on a trip to North Norfolk and was really pleased with the results. I had no light meter so it was all guesswork, and i think the film handled what ended up being mostly underexposed shots, which has quite an etherial otherworldly quality to it, i think, which suits the norfolk coast perfectly.

I purchased two rolls of this film. One I used in Fuerteventura and my gosh it's amazing! the quality and detail it's by far my favourite film I've used so far in black and white!