Lomography Purple 120 is one of the craziest emulsions on the market today! Beautiful, bizarre, and very definitely purple - your photographs will transport your viewers into an alternative universe with colour shifts and surprising shades.
Please note that this is the 'Petillant' edition. In Lomography's words: depending on your scanning setup, you may see some tiny black dots appear in the lighter parts of your photo
Watch the video below for top tips on getting the best from Lomo Purple!
Lomography has been at the forefront of the analogue revolution for decades. Starting in 1992 with some Viennese students falling in love with the aesthetic of a particular Soviet camera (the iconic LC-A) - they founded a movement and a company that would introduce a new generation to the joys of plastic cameras and experimental film. Periodically innovating new cameras for existing formats - and sometimes bringing back formats specially for their cameras! - they are vibrant and creative
For more information about the brand check out our bio of Lomography
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Lomochrome Purple 120 Film today and dive back into the fun of medium format Lomography film photography!
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this film is great if you want the purple vibe and wavy feel
Great film, fun and easy to use, with really nice-looking results, especially when the purple tones are quite subtle. Shot an expired roll of this which I was pleased with. Would recommend!
my favourite shots from my first roll were taken at ISO 400 on an overcast day - the results are so deep & rich!
Pretty dam fun film to use. Makes foliage purple and dose crazy things to animals.
One of my favourite films. I’ve shot this film many times with different lighting conditions and mainly on the Holga in medium format. I find the best results come with very bright sunlight. If it’s not sunny the colours become rather muddy. I often get quite orange colours too which I like. I’ve shot the film many times in 35mm too and prefer results at 200 iso. The film looks really good with double exposures too.