Revolog 460nm - 35mm Film
Pre-exposure to a constant light source gives this 35mm film a uniform colour tint that will vary in shade from blue to violet to green depending on shooting conditions. A perfect option for giving your pics an unique look and feel
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Revolog 460nm over on EMULSIVE.
Revolog's films are unique and creative in the extreme. Each roll is hand-made with processes that will create beautiful overlaid colours or shapes on your final images. Based in Austria this small firm (Hanna and Michael!) are passionate about giving film photographers new options and opportunities to experiment and create. Sometimes mis-spelled as Revelog!
For more information about the brand check out our bio of Revolog
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Revolog 460nm Film 35mm Colour ISO 200 today and dive back into the fun of 35mm film photography!
This film turns the whole scene into a blue/violet haven. I have a lot of love for this film, but I find that it’s not very consistent from batch to batch. In general, I always overexpose this film by 1 stop, sometimes more (you can do this with certain cameras using the exposure compensation dial). If your camera doesn’t have that function, you can set the ISO speed to lower than 200, say 100. This tricks your camera into thinking your film has a lower sensitivity to light than it actually does, hence the camera overexposes the film to compensate for this. When it works, Revolog 460 nm is great, but when it doesn’t the resulting photo is a dark mess.
I'm attaching two sample shots, one I consider a 'good result' and one I consider a 'bad result' which is too dark.
This film makes everything blue/pink.
I find the film is not great for day shots and should only be used for blue hour-night photography. Alot of my daytime photos came out bright pink which can become gimmicky after the first couple of photos. Daytime photos should be overexposed by at least one stop as alot of detail got lost in shadows.
However, this film renders night photos perfectly with skin tones being accurate, but also adding blues and saturated colours. These photos rival Cinestill 800t.
Overall, I would only buy if you have a passion for night photography or enjoy 'weird' pink/blue photos.