So then, first of all, I am not a fan of these "modified" films, having seen other people's work using them, and the effects they produce. Secondly, ice hockey is _not_ a suitable shooting subject for this film (in my opinion of course!). Rated at 200, it is probably a bit too slow for my liking, shutter speeds being on the low side for even the fairly sedate activity of warm up. That said, the colours underneath the often heavy "streaking" are fairly robust, the edge code on the film identifies it as a 200 ASA Kodak. At first, the effect really was troubling me (again, maybe not a good subject to shoot with this film), however, I think with sufficient time on the scanner & at the computer, the effects can be reduced to a more acceptable level.
The pictures I have included, are cropped, and the contrast, and high/low lights adjusted along with black/white levels in PS. I have not touched or tweaked any of the colours themselves.
In my mind, this film might, and I stress the word might, be more suitable for street scenes and possibly architectural shots of, for example, old buildings, stately homes and such like. Looking at the film as a whole, the darker the scene, the more the colour cast and streaking is present, the lighter, better lit it is, the less obvious / present it is (see the sample shots attached). Which sort of makes sense. I'd think that on a bright, sunny day, or in a well lit scene, then you'd maximise the streaking effect (and minimise the cast) which could, potentially make for some more "retro" style images. It would certainly lend itself to creative minds and abstract scenes.
Why did I shoot with it? Well, it was part of the WonderBox subscription so I didn't consciously go and purchase it. Would I though? Probably, yes I would (just one roll perhaps). I have in my mind's eye scenes I'd like to try with it (a couple of big old houses) and a few local high streets which might just return some useful results, with possibly a desaturation to B&W? We'll see!
3 Stars because of the workload getting some of the images to a state where they were not over run by the colour cast.
For information: Nikon F4S, 70-200 f2.8 Sigma, shot at box. Developed at home with FPP C-41, as per the kit instructions. Blood, sweat & tears on the computer getting the images to an acceptable state.