WonderPan - 35mm Film - LIVE NOW!

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Customer Reviews

Based on 19 reviews
Rob (Beverley, GB)
Perfect for: Street Photography, Architecture
Accreditation Handles: Rob W
Wonderpan WOW!

I wasn't sure how these images would turn out using a 1950s Kodak Retinette camera but all I can say is the images Wonderpan creates and 510 Pyro (18 mins) are fantastic IMO.

My framing and guestimation of distances my need some work but I am in love with the images.

ADRIAN S. (Liverpool, GB)
Perfect for: Beginners, Landscapes
Accreditation Handles: ACS Photography UK
Wonderpan 400 (2)

Works well on my woodland shots. The bold contrast works well with this subject matter I think.

ADRIAN S. (Liverpool, GB)
Perfect for: Great All-Rounder, Beginners, Landscapes
Accreditation Handles: ACS Photography UK

Easy enough film but a bit too contrasty for me. Not a problem and for some subjects it will be ideal I guess.

C.B. (Hunstanton, GB)
Perfect for: Landscapes, Creative/Abstract, Travel
Accreditation Handles: Twitter @chrismojo
Wonderpan 400 #2

I gave it another whirl on the Norfolk coast on a day that started off a bit grizzly and ended up liking it a bit more.

I over-exposed these slightly and then had a go at bumping up the contrast and sharpness a bit when I got the scans back.

It's worth trying, you obviously bump the grain up too but I'm tempted to print a couple to see what they'd look like as hang on the wall pictures.

Scans were as ever flawless before I started messing about with them.

C.B. (Hunstanton, GB)
Perfect for: Great All-Rounder, Landscapes, Architecture
Accreditation Handles: @chrismojo
Wonderpan 400

Anyone else see what the Wondies did there..?

A ruse so cunning to get you to try pushing film you could pin a tail on it and call it a weasel.

I was tempted to peel back the label but that would have kind of ruined the game.

I quite liked not knowing what it was, other than shoot [whatever it is...] at 400.

***SPOILER ALERT: When I did peel the label back a tiny bit AFTER I'd finished the roll I found out it was [**film deleted**]...

It delivered a bit more grain and contrast in return for two more stops which came in handy - although I do like [**film deleted**] shot at box speed.

I smudged the river outfall on a sunny day (remember them..?) and liked the way it rendered the structure. DR tickled a bit because the tones were a little flat.

Then there's King's Lynn Minster on a dull, grey grizzlier day when the film still managed to deliver a bit of texture.

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