my favourite film to use, always have at least two in my kit when i’m out and about definitely recommend

I gave this film a try as it’s less expensive than other professional versions but I think it’s actually great for beginners! It’s quite forgiving - bright and bold colours without looking overbearing or deliberately nostalgic. It also seems to adapt well to different conditions. Not so much to make it unpredictable but enough to keep interest across the roll. It might be my new go to for sunny days.

This is one of the great summer films for when the weather is...er...summery! Colour rendering is faithful and the film has a great latitude. Grain is minimal and, overall, the film is very forgiving. Billed as 'Professional' this also suits everyday shooters, especially if you want to capture that summer vibe. One of the best Kodaks I've shot.

Pleasant saturation although not true to life colours some might enjoy. Depending on (angle and time of day lighti?) … you get a variety of tints and almost pastel colours. When I showed my flatbed scans to a younger colleague he recognised this film is good at ‘analogue feel’ whatever that means. The unpredictability of the colours shift makes it less practical.
Not my personal favourite but I suppose it does have a place…..

Kodak Pro Image 100 is an underrated colour negative film that deserves far more attention than it receives. It offers a combination of fine grain, natural colours and impressive sharpness at a price that’s often lower than many professional colour films.

Rated at ISO 100, it performs best in good light, where it produces clean negatives with excellent detail and very little visible grain. Colours are accurate with a subtle warmth, but they’re less saturated than films like Ektar and slightly more vibrant than Portra 160. Skin tones are pleasing, landscapes look balanced, and architecture benefits from its crisp rendering and neutral colour palette.

Pro Image feels a bit underrated out of the Kodak stocks as an all rounder film - I think I might actually prefer it to Gold 200! It goes a lot further than you might think for only 100 ISO, working wonderfully with different light conditions. And it's so sharp! I think it picks up most colour nicely, but I particularly love the green tones it brings out, so I mainly like using it while out in nature.

Not quite Portra 160, not quite Gold 200 & not as punchy as Ektar 100. Meet Pro Image 100! Quite impressed with this film, it seems to sit in between all the emulsions mentioned above in terms of character. It doesn't lean quite as warm as gold but the colours aren't as pastel as Portra or saturated as Ektar, nicely in the middle. The grain isn't as fine as the other "pro" emulsions but still very nice. It handles shadows better than the consumer grades films. There are rumours and speculation that this handles more like a ISO 160 film. I did notice that on my FE2 that you could class some shots as 1/3-1/2 over exposed and that meter is usually spot on. Nothing wrong with that at all just something to be aware of. All round very good and nice to know that if you take it to the Carribean or Australia it won't get wrecked in the sun.

would happily shoot this again - great for getting the hang of shooting film.

I tested a roll of this film when the weather was overcast, right before a storm rolled in. I didn't have any expectations as I'd never shot on Pro Image 100 before. I was pleasantly surprised at the contrast after development. Would use again and try in sunnier weather.

An Olympus 35 DC, some ProImage 100, and legs - not much more that I need in a wander around town with family.
The ProImage may not have the same lustre as something like Ektar, or the same rendering as Portra, but it's a great (and reliable) stock.

This was my first time using Pro Image 100, so I seized the opportunity when AW was selling expired rolls at a bargain. I shot it in late August & early September with my 28-105mm EF lens. Given the 100 ISO rating, I anticipated slow shutter speeds and needed a steady hand or tripod. I opted for both, as I often achieved shutter speeds of 1/60th of a second or less. I was thoroughly impressed with the results; the vibrant colours in my flower shots required minimal editing. Overall, it exceeded my expectations and I’ve even recommended it to a film friend for a holiday experiment.

Versatile to temperature changes, fine grain, great value and reliability beautiful colours make this my go to film. It's also argued that this film has up to 10 seconds before reciprocities failure starts to kick it making it arguably the best colour negative film for long exposures! Plus with it being likely a 160 iso film it's already DX coded to a half stop overexposure.