Description
Apollo is a beautiful 35mm film - your images will come back with subtle yellow or blue tones (depending on shooting conditions) that interact with your subject to give unique and gorgeous-looking pictures.
Specification
| Format: | 35mm |
| Colour: | Colour |
| Type: | Negative |
| ISO: | 200 / 400 |
| Exposures: | 24 / 36 |
| Pack size: | 1 |
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Dubble over on EMULSIVE.
Dubble started life as an app in 2013 - one which allows people to create digital double-exposures with anyone else, instantly! After being overwhelmed with the delighted response of creative photographers around the world they decided to launch their own range of physical films. They use pre-exposure technology to add beautiful hints, colours and shades that will interact with your photos live in the camera for an unique and mesmerising final image.
For more information about the brand check out our bio of Dubble (Note: not Double film!)
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Dubble Apollo Film 35mm Colour ISO 200 today and dive back into the fun of 35mm film photography!
Payment & Security
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Customers also bought these
It's not quite a disaster, but it's not my favourite film in the world. Inconsistent and muddy. Probably the best in the dubblefilm range. Shoot in sunlight/golden hour for those warm vintage tonez. Not recommended for low light and moon landings.
This film is not for everyone, and is certainly not for accurately documenting anything. What it is very good at is giving this warm, golden haze over the whole photo that almost verges on sepia tone. It also holds quite a bit of natural contrast, and has prominent grain. However you could try rating this at EI200 to mitigate for underexposure. Overall it was fun to try this creative film, but not the type of atmosphere I'm looking to capture in my own photos.
Examples taken on a DubbleFilm Show camera at 'box speed'.
Picks up golden hues and greens really well - would be perfect for autumn and spring time as the colours start to turn.
The golden cast gives a warm, vintage feel that is hard to achieve with other professional stocks
The yellow cast looks great on a sunny day, especially during golden hour. It gives portraits a lovely vintage look. Sadly everything I took in the shade was underexposed and expired-looking.
It's not quite a disaster, but it's not my favourite film in the world. Inconsistent and muddy. Probably the best in the dubblefilm range. Shoot in sunlight/golden hour for those warm vintage tonez. Not recommended for low light and moon landings.
This film is not for everyone, and is certainly not for accurately documenting anything. What it is very good at is giving this warm, golden haze over the whole photo that almost verges on sepia tone. It also holds quite a bit of natural contrast, and has prominent grain. However you could try rating this at EI200 to mitigate for underexposure. Overall it was fun to try this creative film, but not the type of atmosphere I'm looking to capture in my own photos.
Examples taken on a DubbleFilm Show camera at 'box speed'.
Picks up golden hues and greens really well - would be perfect for autumn and spring time as the colours start to turn.
The golden cast gives a warm, vintage feel that is hard to achieve with other professional stocks
The yellow cast looks great on a sunny day, especially during golden hour. It gives portraits a lovely vintage look. Sadly everything I took in the shade was underexposed and expired-looking.
I highly recommend a roll of this for a summer trip! Looks vintage & faded, but bold & mellow all at the same time - my new favourite Dubble.
Well, it certainly gave me a yellow cast. Very interesting with certain shots, re the skyline image, but for others I prefer without a cast (the ducks). For comparison, I adjusted the duck image to make it look like I remember, basically a more natural colour so you can see the difference.
Having a yellow (or blue) cast means it's hard to make the film pop if you adjust the tones as the cast tends to flatten the image. I think it works well with subdued tones, or moody pictures.
The film is basically Kodak Ultramax doped to give a cast, so its an everyday film fundamentally.
Overall, I quite liked it, but I think I will consider carefully what I shoot for the next roll to maximise its potential.
I love the subdued tones of this film and the tint of it. Perfect for taking photos during an Autumn walk especially when it's getting a bit darker in the evenings.
This film gives a classic, sepia-type effect to my pictures. It makes everything look like it was shot in the 60s
This isn't a bad film but isn't a great one either. I bought it for a specific shoot at the English Seaside town of Cleethorpes. The town has a slight old world charm (albeit a rustic one) and I figured the colour profile as described would suit the context of the shoot. Light was a bit subdued on the day and the film struggled; perhaps some over-exposure was called for.
One issue I found was the inconsistency between frames. Some of the shots were great and others less so. If consistency across the roll had been better and all shots yielding colours as good as the best ones, a higher score would have been given.
If you are fan of the more Lomo style surprises, then this is a good one. My advice for it, however, would be wait for a lot of light and photograph objects and scenes abundant in colour.
I'm glad I tried it, but would be unlikely to shoot another roll of it
Really happy with how these came out. Such lovely pastel tones
Really loved the colours of this film - nice and warm that reminded me of summer days. Even interior shots worked well. This is a film that likes to be slightly over exposed and has little latitude, so not great for low light work particularly as things get a bit 'muddy' I found. But a nice experimental film with some interesting little artifacts here and there.
I bought the whole range of the new Dubblefilm films that came out earlier this year, and to be honest, this wasn't one I was all too excited about. It just didn't appeal to me as much as the others. That being said - I love the colors I got from this film! The shadows give off a deep purple color. I will definitely be shooting this film again.
This film is amazing for moody, golden shots! I shot it at golden hour, against and with the sunlight and the results are beautiful (it needs a lot of light though!). The contrast is heavy but gold tones make up for it!
My favourite of the Dubblefilm range.
Amazing warm tones; take this out on a sunny day and you won't be disappointed. Deep blues & reds and mellow yellows. I took a roll up to London and loved the results.
When I think of all the apps that provide "vintage" filters to try and render tones like this (and fail), you realise how truly uniqueness of chemical film.
Great for street photography (especially busy crowds) and architecture. Skin tones are rendered beautifully.
A must have.
Great service & speedy shipping
Film gives beautiful affect to my photos. They have a lovely blue colour shade to them.
I took this film out to Leeds Pride 2019 and found the tones worked wonderfully with the vibrancy of the event. I'm really pleased with the results and will consider using it again in a different environment.











