Cinestill X-Pro Daylight 120 Film - Colour ISO 50
Our Price: £13.50 GBP100089
Adapted from Kodak cinema stock, this colour emulsion boasts the finest grain available in a commercial film. A slightly different backing material to the 35mm version means a subtly different final look but what won't change is the exceptional detail and vivid colour - this is the perfect medium format film for delivering standout images in bright light.
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Cinestill X-Pro Daylight over on EMULSIVE.
Cinestill celebrated it's 5th birthday in 2017, having quickly developed a fantastic reputation world-wide for their innovative approach to fulfilling analogue needs. They are specialists in converting rolls of cinema film - designed for movies - into batches of 35mm and medium format film that can be used in thousands of cameras, and developed in any minilab in the world. Their passion is for everyday photographers to have the same access to high-quality emulsions as Steven Spielberg, Wes Anderson, Martin Scorsese, and The Coen Brothers! Sometimes referred to as Cine Still.
For more information about the brand check out our bio of Cinestill
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Cinestill X-Pro Daylight Film 120 Colour ISO 50 today and dive back into the fun of 120 film photography!
Quirky film for rather experienced users who know how to achieve good results with it. Because of its low sensitivity not the best choice to take handheld photos on an overcast day. Also, in less than ideal lighting conditions you may get weird colours with green or magenta cast. If exposed properly it has a beautiful, filmic colour palette (still slightly greenish but it's part of its cinematic charm) and really fine grain.
Not a portrait film for me. Far to difficult to get the skin right but a remarkable and quirky film nevertheless. Hard to really form an opinion because it's so unique both as a 50iso film and expensive. Performs well on long exposures so deserves some investigating.
This is the first time in using CineStill 50d 120 so in a way it was a bit of a test roll. This film has fine grain and great detail. It works best in really bright light where you get the best colour saturation. Unfortunately shooting in bright light also brings a red halo around the brightest areas which some love and some don’t.
I would have rated this 5 ⭐️ if it wasn’t for the halo effect.
Lovely film. Loads of latitude. I found it was a bit more saturated in the yellows than I'd expected, but because of the quality of the film I could easily correct it. I've only shot one roll of this and it was perfect, sunny weather so I'm not sure how it handles other conditions; but then you'd most likely not be using a 50iso in bad light, anyway...!
It's a bit pricier, so probably not a day to day film but definitely worth it for the final look.