By far my most favourite slide film on the market. It renders true, natural and sharp images that no other mediums can produce. As to all slide films, it is best to shoot on sunny/well-lit occasions and be careful with your exposure especially when shooting a contrasty scene. It is quite sad that there is rumours Fujifilm will soon (or have already) discontinue producing this film (or any films), so cherish snapping every shots when you sill able to.

You do have to nail the exposure with this film to avoid losing parts of your image, I suggest ever so slightly underexposing as the highlights are easiest to clip. The colour of this film can tend towards magenta a bit but the tones are so vibrant and it's nice and contrasty. If you've got a beautiful scene in front of you and you take the shot correctly, this film will deliver some lovely results.

As a digital to film convert, it has taken some getting used to of the film 'look'. This film for me strikes a happy medium - with its bold colours and sharpness without a hue that is seen with Velvia, this is likely the film that closest resembles a digital image with the vibrance increased a touch. As a slide film, it is great to see the actual film on a light table and the scans don't disappoint. A film that is often not talked too much about but is a solid slide option!

This was my first slide film I've shot and my goodness, it's gorgeous. Colours are vibrant, contrast is great and it's so sharp! If you have E6 developers at home or your go-to lab develops slides definitely try this out, you will not be disappointed!

I've always wanted to try Provia but was put off by the E6 developing (meant buying a new kit).

I gave in and bought 5 rolls and have now fallen in love with the film. I've had more success with this film than any negative and the shots turn out so crisp and clear. I would choose this film over and over again as it's so rewarding.

I love shooting this film in 120 and getting back the huge gorgeous slides to look at - the colours are amazing without going overboard. The detail you can get with this film and a good lens is also stunning. If you're looking for a transparency film for medium format give it a try!

Provia 100F is my first choice when looking to capture landscapes with a more natural palette than Velvia. It is still on the saturated side, but with less exaggerated reds and greens than Velvia. The grain is incredibly fine, becoming essentially invisible in 120 at reasonable enlargements. Like most colour slide films, the latitude is limited; exposures need to be accurate, and use of a spot meter and the zone system can help to ensure that your scene's dynamic range does not exceed that of the film. When the exposure and scene selection are appropriate. however, the results can be astounding. Although slide film is not usually the first medium that comes to mind for portraits, the skin tones are somewhat more natural than Velvia as well. Overall, an excellent film that can produce unmatched results, as long as the photographer works within its capabilities!

The sample image was captured with a Rolleiflex 2.8F, at an ambient temperature of -19 degrees Celsius; evidently the cold isn't an issue for it either.

I really like this film. I've been struggling with colour for a while. It can be difficult to replicate what you saw, and some colour films exaggerate certain tones or over-saturate.

I've been a long time shooter of Portra 160 as that was the closest to "neutral" I could find, but still - balancing the colour after development could be tricky and I found I was always tweaking things in Lightroom to get it looking just right.

Shooting slide film removes that issue and for a neutral toned slide in 120, Provia is pretty much your only choice. Velvia has too much saturation for my liking and Provia is perfect straight out of the box. Tjose medium format slides look gorgeous too.

I didn't have any difficulty with exposure, using an auto-everything Pentax 645n and letting the meter make the decisions. I had a lot of trouble with Velvia 50 under-exposing, but Provia seems to actually like living at 100 ISO and my images were bob on.

A great film that simply delivers "what you see" with no fancy frills. Sharp, detailed and colourful. Just what I wanted.

[Pentax 645n, various lenses, dev @ AG Photographic, scan @ home]

This is an absolutely fantastic slide film which has very punchy and vibrant colours, especially blues and greens.

The only thing in my eyes that lets this film down is the recent price increase!

Provia can be pushed a stop no problem. Works ways better in sunnier, brighter conditions than on duller days, or perhaps in a studio environment indoors.

I’ll be leaving reviews throughout the website with pictures for full frame scans, so if you’re like me who loves to see the entire image and border, you can see what the results will be like.

This is the film I reach for whenever I want the most amazing detail. To my eye, it is the best slide film remaining that is still available in 2019. I use it a lot for both landscapes and even nighttime city scapes as it has an amazing ~120 seconds before reciprocity failure applies (allbeit, you have to watch for colour casting).

In well lit conditions, the results are outstanding, and I even find it pleasing for portraiture too. I've never attempted home development or scanning of it and I've always trusted that to the lab that I use. The results are always outstanding.

It's also the most expensive slide film currently available which makes me use it sparingly. But when you get the results on a lighttable, there is nothing like it. I recently got a 30" square print produced (sample picture provided of the sunset with boats) from a 120 negative, and it was simply mind blowing.

One of the superficial joys of using slide film is looking at the transparencies when they come back to you, they can be really beautiful. I found it a challenging change from regular colour negative film but can see where it would be useful. You need to be much stricter with your exposures as there's less dynamic range which contributes to a strong contrasty look. This look can be good but really depends on your subject matter. There are examples of people getting amazing work done with this film so I would recommend it, but read up on how to get the best results and be mindful of your subject matter with it.

Arrived quickly first class item very pleased

not too punchy or saturated like velvia, great for landscapes, even better for astrophotgraphy, it has beautifiul colours but they're not as abrasive as velvia but they still have enough character to be interesting, thrives with deep blues and blue hour/post sunset.

I used provia for years when I was on film the results were remarkable, lovely punchy images, even in studio lighting, I'm seriously thinking about getting my film cameras out of retirement.

Used this for the first time on a trip to Sheffield, when I got the results back I was amazed and delighted. The colours and grain were just superb, very much like the old Kodachrome.