Description
Description
The rare Premium version of the ever-popular Fujifilm Superia! Specially imported from Japan for European photographers to try, this film is one of the best all-rounders available today.
It provides rich bright colours, sharp detail, and smooth and natural skin tones in a whole variety of lighting and photographic situations. It also looks better under artificial light than its 'normal' Superia cousin - thanks to more advanced colour balance.
Specification
| Format: | 35mm |
| Colour: | Colour |
| Type: | Negative |
| ISO: | 400 |
| Exposures: | 36 |
| Pack size: | 3 / 1 |
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Fuji Superia over on EMULSIVE.
Fuji is one of the most famous Japanese global brands - and along with Eastman Kodak - dominated the film photography market for most of the 20th century. However the dawn of digital photography put significant strain on it's operations and it has restructured itself (and part-merged with Xerox) around a more diverse set of industries such as digital press, computer systems, and photocopying services. It's focus on traditional film has waned (giving rise to the nickname "FujiNOTfilm") - discontinuing several lines which has caused understandable upset among loyal users and planning to cut several more. However their creation and innovation of the Fuji Instax system (the most popular instant photography format today) means they will remain relevant to analogue photography for many years to come.
For more information about the brand check out our bio of Fuji
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Fuji Superia Film 35mm Colour ISO 400 today and dive back into the fun of 35mm film photography!
Sample shots (c) halfrain
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Good film, not my favourite for cloudy moments. With some of my phones taken in Ghana when it was cloudy, theres a slight green stint to the film (see the picture with the people on the motorcycle). I use the Olympus XA2 so I don't have much control with the white balance. I got some great sharp double expose shots & it was a great film for sunny Jamaica
Colour reproduction is excellent, and despite having to take the film through an X ray machine (goddamnit Eurostar!) the images are fine, so it should be perfect for any holiday photos. I only wish that Fujifilm released their film stocks more often in Europe so supplies of it could be more consistant.
This is one of my favourite films despite the faster speed and associated grain, which isn't as pronounced as some EI400 films. Compared the the standard flavour of Superia 400 the tones and colours are several notches above and in the right conditions provide an incredibly rich palette. On a bright sunny day the colours really pop, especially the reds, though if you're looking for a more subtle effect this isn't the choice for those days. I've added a selection of pics in all lighting condition. In deep shadow the film really lifts the image and on dull days allows the colours to emerge where other films give a murky result. Please keep making this Fuji. Pretty please.
This is a fairly nice standard colour negative film, of which I have shot one roll. Being Fuji. I was expecting a green cast to the colours. But my roll ended up looking shifted more towards magenta than green. Sample images have very light ending in Lightroom, but preserve.
Good film, not my favourite for cloudy moments. With some of my phones taken in Ghana when it was cloudy, theres a slight green stint to the film (see the picture with the people on the motorcycle). I use the Olympus XA2 so I don't have much control with the white balance. I got some great sharp double expose shots & it was a great film for sunny Jamaica
Colour reproduction is excellent, and despite having to take the film through an X ray machine (goddamnit Eurostar!) the images are fine, so it should be perfect for any holiday photos. I only wish that Fujifilm released their film stocks more often in Europe so supplies of it could be more consistant.
This is one of my favourite films despite the faster speed and associated grain, which isn't as pronounced as some EI400 films. Compared the the standard flavour of Superia 400 the tones and colours are several notches above and in the right conditions provide an incredibly rich palette. On a bright sunny day the colours really pop, especially the reds, though if you're looking for a more subtle effect this isn't the choice for those days. I've added a selection of pics in all lighting condition. In deep shadow the film really lifts the image and on dull days allows the colours to emerge where other films give a murky result. Please keep making this Fuji. Pretty please.
This is a fairly nice standard colour negative film, of which I have shot one roll. Being Fuji. I was expecting a green cast to the colours. But my roll ended up looking shifted more towards magenta than green. Sample images have very light ending in Lightroom, but preserve.
Has nice colours, latitude and pretty good in artificial light.
I really think this film offers a lot in terms of quality. The sharpness, grain and colour rendition are excellent, though it's quite hard to find this film now. Hopefully more rolls will make the trip over to the UK for us to shoot more of it!
has the usual fine grain & great colour reproduction, but in my humble opinion, the standard Superia is just as good & cheaper!
This film is a great all-rounder and travels well. Contrast can be quite bold in brightly lit conditions with shadows, and it's great for sunnier days if you want to cool the image down a bit with the cooler green/blue tones. When shooting in low light, it can really pack some atmosphere with the greens/blues, especially under artificial lighting.
I am going back to film photography after many years. I have always enjoyed using Fuji films so
I got a couple of rolls. As my camera light meter does not work anymore, depending on the light conditions
finding the right exposure was a bit trick but the film is quite forgiven. I thing is a good choice to in stock.
Like any other colour Fuji stock, Superia Premium really loves greens, blues and reds, but this film rendered any colour brilliantly. I was amazed at how wonderful the colours looked when I shot this roll. After a few months disappointment of poor results with Kodak Gold and Portra, I'd love to shoot this again.
I originally purchased this because Analogue Wonderland was temporarily out of Portra 400. I'm not a massive fan of the colour balance of some Fujifilm; 400H seems to skew a bit too green for my tastes, and standard Superia seems like more of a Kodak Gold equivalent than a viable alternative to Portra.
This Superia Premium really took me by surprise. The colours are nicely balanced and slightly pastelly, green cast is minimal to non-existent, and it's pretty fine grained for a 400 ISO colour negative film. I'm not sure it'll replace Portra 400 as my preferred 'do everything' colour negative film, but it was a fun experiment, and I'd happily use it again.
Fujifilm Superia Premium 400 135-36 is a versatile, all-round high-speed film. Its high sensitivity allows you to capture images even under insufficient light conditions. It delivers bright, rich colours, smooth natural skin tones, and sharp images in an extensive range of photographic environments. Achieve incredible results for snapshots, sporting events, daytime scenes, indoors (with flash), unpredictable weather conditions: sharp, detailed images with accurate true-to-life colours. Fluorescent light also plays to this film's strengths.
This film has that little extra tastiness to its colour and contrast. The film, in true fuji fashion has an extra layer that gives the film most ability to render colours. It is specifically aimed towards those with Asian skin tones, hence why this film is prominently available in Japan, however, I have found that it works well anywhere. Personally I found its saturation perfect for building and architecture photography.
The only reason I give this a 4 stars instead of 5 stars is because it does tend to bring a pinker hue out in the colours of non-Asian skin tones. This isn' t that noticeable but it is present and does slightly take away from its versatility considering the price.
Despite this I would definately recommend to anyone beginner or experienced.











