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First time I tried E100 was in a very cheap 90s point and shoot camera that got blasted through a CT scanner/X-ray machine 4 times. It suffered and the colours and contrast were faded (not to mention washed out because of the cheap plastic lens - most expensive film in the cheapest camera!) but I could still see still potential. The fine grain really saved it, and I was able to do some fixing in post. The colour was all there to be brought out.
More recently had a second go with my Olympus OM101 and was blwon away by the gorgeous details and vibrant colour. I think I prefer this kind of saturation over Kodak's Ektar 100, it really is like nothing else. You really do have to treat it like you're shooting a movie, so much detail with the ultrafine grain, but retains the magical texture of film. Expensive film to buy and process, but 100% worth treating yourself to this every once in a while if you're going somewhere sunny and colourful.
I took a roll of Kodak E100 with me along in my kitbag to Namibia, where many cameras struggle with the blues of the sky and orange of the sand.
The way that this film remained vibrant and true was incredible.
I've just recently shot Ektachrome for the first time ever in my life, and I'm incredibly pleased with the result! Sharp, crisp colours, fine grain, and yet it still manages to give a warm quality to your photos. Even though it's only 100 ISO, it gave awesome results when shooting at night without tripod. In this case, though, it's best to have a lot of artificial light available.
No hiding the sharpness and punchiness of this film - never lets me down and just love the richness it provides. One of the few films I don’t feel nervous in using.
I find it a bit hard to scan and often needs to be made warmer, but when the exposure is right it has wonderful depth of colours. Sample photos from Jordan, 2023
