Only my second roll of Ektachrome. I love the look it gives and was pleased with how this roll turned out, it was very mixed weather while on holiday in Scotland so had been dubious about using the film on the wet or cloudy days, but did get some great shots all the same.

First time shooting with slide film and even after all the research I'd done on it, I still managed to get the exposure wrong! Will take some time to improve which I'm determined to do.

I bought two rolls of E100 because my favourite Fuji slide film wasn't available. I shot it on a sailing barge under a clear blue sky and had it developed and scanned by Analogue Wonderland. Sadly, the results are far too blue, they are unusable - a waste of £80 and no great photos from a one-off trip. I can tweak the scans in Lightroom but they are not good, and the slides are no use for projection at all. I'm sure there are situations in which this film works, but not at see on a blue-sky day!

This film is stunning the deep saturation on the reds and blues are beautiful. Colours are rich. Paired with a warming filter the results are fantastic. A special treat film just because of the price.

Haven't used slide film for years so I thought I'd give it a go again. It wasn't very bright in the forest but the film coped well hand held. Vivid colours in other daytime shots. Pricy so you have to manage what you shoot.

Ektachrome is a bit of a complicated one. Theoretically designed to be projected with a warm bulb and our eyes doing a little colour correction it leans very very blue. This can be corrected with filters however this is a bit of an art form in of itself and will vary based on lighting conditions.
Personally I've been able to use a 812 in bright sunlight and get a neutral, digital looking image, these are attached here.

I would argue that this, alongside velvia, are some of the last accessible ways to get colour straight from the celluloid as many negative films are interpreted through software during the inversion process (especially because the orange mask must be dealt with). Saying this velvia may be or may soon be discontinued, this makes Ektachrome uniquely special.

One final note, people say not to overexpose slide film like it is recommended with negative film. I would agree, I do believe this film is more of an 84 iso film or slightly lower rather than a 100 iso however and have had better results at these speeds (50 with an 812).

Incredible sharpness and lack of grain particularly in 120 format. Slight cool blue cast but this can be adjusted in photoshop. Not very forgiving in terms of exposure - it has to be spot on, as either, it washes out or goes to black.

First time using this stock, really love the way it it makes the reds pop!

This film is just stunning and it never ceases to amaze me the colours and the quality of the scans that can be achieved from this film. These were shot with a Nikon F6 with a 24-70mm f2.8G, 58mm F1.4G and the 70-200mm F4G VR. I recently took a trip to Norway and 9 rolls of it was shot on Ektachrome and I am so pleased I did. I did home process it which can be fiddly but if you can bake a cake you can develop film I always Say :)

E100 does a fantastic job of capturing those low light scenes and making them look as goos as you remember it. Its slightly lower dynamic range really plays to its favour around blue/golden hour when colours and contrast are quite different to the rest of the day. Plus the experience of getting your roll back in full colour and being able to make slides to project is something else. A must try for anyone into the analogue process

An expensive film if your new to it. The results are on a par with digital in terms of smoothness and colour when the negatives are warmed by cinestills backlight, but few images (in this case 3) kept from the roll of 36, perhaps one to come back to when more experienced but only for your wallets sake.

i love this film but i acidentally left it in my camera when i was shooting at night in the dark and it was also a few years expired so here is how my shots came out, very blue tone and some underexposed of course with it being 100 iso. still looks nice, definitley way better for daytime

Ektachrome is a challenge, but I think that challenge can be overstated. I’ve heard people say that you need to specially meter for highlights, shadows, find a special mid point - none of this I found necessary in the end. If you shoot with an awareness that the film will only manage so much space between your lightest and darkest points, and just follow your camera’s meter you will probably be fine - bracket if unsure. What I did find was that even a stop under or over exposed the film will resolve beautifully with editing. The colours and sharpness are of course amazing, but the real special bit is getting your film back, holding it up to the light, and seeing your images. It’s a special feeling.