Kodak Ektachrome E100 35mm Slide Film
Our Price: £14.00 GBP100224
Kodak Ektachrome E100 was the most hotly anticipated film of 2018 and one of two 35mm films that Kodak Alaris resurrected last year (the other being Tmax P3200). A fantastic new slide film with a long heritage from its previous iterations, Kodak Ektachrome provides a gorgeous delivery of bright, sharp colours. As with all slide film, there is less margin for error in exposure, but this also allows for very deliberate and tight control of the light in the situation. The Kodak Ektachrome 100 is a premium film that delivers truly premium results!
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To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Kodak Ektachrome over on EMULSIVE.
Kodak - properly known as Kodak Eastman - was founded in America in 1888 and dominated the "Western" world of photography for the next 100 years, constantly in fierce rivalry with the Japanese Fuji. Similarly to Fuji the advent of digital photography at the turn of the century caused significant financial problems. A late attempt to win in the compact market was hit by the rise of mobile photography and bankruptcy followed in 2012. Fortunately the photography business has survived under the Kodak Alaris name - based in Hertfordshire, England - and they have delighted the analogue industry by pledging continued support for film production and the promise of bringing back old favourite emulsions.
For more information about the brand check out our bio of Kodak
Note: alternative spellings Ekta Chrome and Ektarchrome
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy Ektachrome Film 35mm Colour ISO 100 today and dive back into the fun of 35mm film photography!
All sample photos are from the 'Focus on the Positives' winners! LondonCameraProject, Ken Davis, Bill Thoo and Alex Cole.
The film manages to capture colour with great accuracy towards the subject.
Having just started to dabble in film photography again I was keen to try out Kodak Ektachrome 100. Notwithstanding its ISO 100 rating and the recommendation that it's ideally suited for good lighting conditions my first efforts were made in the late afternoon on a overcast Autumn day. The images were taken with a Canon EOS 650 (around £12 on Ebay) using a modern Canon EF 50 mm F1.8 lens and the film was processed and scanned by SilverPan. None of the images has been post processed after downloading from the SilverPan web site. What has impressed me the most about this film is its faithful colour rendition and excellent colour saturation. The cat Pinz was nervous and wouldn't let me come close to him so I ended up having to crop the image to show his wonderful green eyes. I guess it is subjective, but I think the colours in the two shots of the disused farm buildings are true to life - which has got to be a good starting point even for those creative and experienced photographers who want to produce a certain look or effect using post processing. With the grey sky in the background, the lighting for the shot of the apples was what might be called "far from ideal", but I have included this image because of how well the mottled colours of the apples and different shades of green of the leaves have been captured. Although I haven't included any portrait images here, I can confirm that the way skin tones are reproduced is outstanding.
The film is not cheap, but I would recommend anyone interested in film photography to try it at least once.
Long time Velvia user and thought I'd have a change, the colour is different to Velvia but very nice and very useable in a lot of conditions, gives a slightly cooler image than I'm used to but enjoyable all the same.
It has saturated colours and a very dark black, I do like its contrast. Good for sunny days (well, since it's ISO 100, they're probably necessary!) and landscapes.
Surprisingly versatile, and forgiving. I mainly used it in bright sunshine, and the colours popped out in the photo. Bright, rich colours, with no grain and just the right balance of soft and crisp.