This film impresses me so much. Like my first roll of Gold at 120, my second and third weren't all shot in idyllic sunshine, lovely though it is when that comes along. On more overcast days it seems to me that it gives just enough warmth to welcome us into the scene, as it were, while staying faithful to the day and avoiding rose-tinted spectacles. At 120 the grain is hardly noticeable and I remember why I should shoot medium format more often.
Very good value for money too, especially with any kind of deal on!

Used this to take well coloured and detailed images quite close up and in tricky lighting conditions and it didn't disappoint. Came out looking really nice and creating really cool images.

I have tried so many different colour 120 films like portra and ultramax, but this is my go to. It’s perfect for any occasion and always works a treat. I used it to test drive my Hasselblad 500CM and I was so pleased with the results :)

I predominantly shoot landscapes so I took 3 rolls of the film with me to the Scottish Borders, and I was impressed as it never let me down.
Though it has a fairly low ISO I was amazed with how flexibly it could be used, and took photos throughout the day and even into dusk to get some sunset shots, without ever diminishing on image quality.
Overall the colour reproduction was about as good as I can pull out of my 1957 agfa rangefinder so I would definitely reccomend and will be shooting with this film again very soon.

Slowly adapting to a recently bought TLR and rediscovering film photography I took a punt on a couple of rolls of Gold 200. Used over the Christmas period in Slovakia for some landscape and portrait stuff. When I got the film developed from AW I was so happy with the results. The tonal range is just beautiful. It worked so well in the winter sunlight. I'll be hard pushed not to just stick with this in future, as it rendered scenes exactly as I hoped. Somehow there's a romanticism and calmness in the colours.