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Though discontinued and increasingly rare, it continues to hold a sacred place in the hearts of many professionals I know, and for good reason. There is something deeply intentional about how it renders light. It doesn’t rush to impress; it breathes, it listens, it honours tone and atmosphere in a way that feels human.
I photographed this particular roll on a Contax 645 and metered in-camera at ISO 400. The film handled every nuance of contrast and exposure with composure, highlights rolled off gracefully, shadows retained their quiet detail, and the midtones carried that unmistakable neutrality that makes this stock a benchmark for colour harmony.
What continues to strike me most is its emotional intelligence. It doesn’t exaggerate warmth or coolness, it simply interprets the world as it is, with honesty, calm, and refinement. Every frame feels cinematic yet restrained, luminous without ever being loud.
It’s easy to understand why, even at a premium, so many photographers still seek out this film. It rewards precision and care. It invites you to slow down, to meter deliberately, to trust in the interplay between light and feeling.
For me, this film represents the quiet craftsmanship that defines the soul of analogue photography; elegant, consistent, and effortlessly timeless.
I liked it
This is by far my favourite film stock for outdoor photography. The quality is incredible and it does its job even in the gloomy UK weather.
Very nice realistic ,vibrant colours with a reasonably fine grain. Even looks good when I multiple exposed one shot (forgot to wind on!!)
I've used the various Porta range on my 35mm camera (They're great!) but was not expecting such high quality and fidelity with the 120 variants. I almost was ready to let myself down easily as I am using lomo lubitek 166b - which is the cheaper end of medium format but wow, these came out great even after I accidently opened the back of the camera early.
