Kodak Tri-X 120 film is a truly legendary film. Kodak Tri-X emulsion was first introduced in 1940 in sheet film, making it over 80 years old!
Key to its longevity has been its flexibility - photographers can take TriX 120 into a variety of lighting situations and recover highlights and shadows or generate different grain feel through processing choices.
It has been the first choice for many top photographers over its lifespan - in fact when Kodak went through bankruptcy and restructuring in 2012 Don McCullin panic-bought 150 rolls of Kodak Tri-X in case it didn't survive the turmoil! Fortunately for Mr McCullin and every other photographer, Tri-X did survive and is still available fresh in both 35mm and 120 formats.
Kodak - properly known as Kodak Eastman - was founded in America in 1888 and dominated the "Western" world of photography for the next 100 years, constantly in fierce rivalry with the Japanese Fuji. Similarly to Fuji the advent of digital photography at the turn of the century caused significant financial problems. A late attempt to win in the compact market was hit by the rise of mobile photography and bankruptcy followed in 2012. Fortunately the photography business has survived under the Kodak Alaris name - based in Hertfordshire, England - and they have delighted the analogue industry by pledging continued support for film production and the promise of bringing back old favourite emulsions.
For more information about the brand check out our bio of Kodak
Just came back from a long trip to Shetland - been shooting this amazing film in the most extreme rainy weather imaginable. Results? Always the best, as expected!
Kodak Tri-X, a film I once used almost exclusively back in the 1970s but these days is more of an occasional treat as the price differential between Ilford and Kodak continues to widen. However, a too-good-to-miss offer from AW had me reaching for my wallet and it did not disappoint. Great blacks, lovely contrast and a very pleasing grain - all the attributes that led me to shoot this so avidly all those years ago. In all honesty, if I could afford to this would be the only 400 speed film I bought, indeed it would probably be my everyday carry in both 120 and 35mm. Sample images Rolleicord
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Mick M. (Manchester, GB)
Perfect for:Great All-Rounder, Beginners, Portraits, Landscapes, Street Photography, Architecture, Travel, Studio work, Low light/Night
Accreditation Handles:Instagram @mickmcgurk
Solid BW film
Just a perfect film with great latitude for pushing. Great for portraits.
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D (Barnet, GB)
Perfect for:Landscapes, Architecture
Lives up to its reputation
After two rolls of this I can see why it's considered a classic. Getting consistently good results in varied light conditions, and I'm being pleasantly surprised by the tonal range of this film stock (I believe it's renowned more for its contasty-nesss). I look forward to availing myself of future AW deals on this stock.
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Damian B. (Crewe, GB)
Perfect for:Great All-Rounder, Beginners, Portraits, Landscapes, Street Photography, Creative/Abstract, Travel, Studio work, Low light/Night
Accreditation Handles:come_armageddon
One of the best
Such a great film, grain as big as golf balls if you want and inky black blacks, absolutely love it in every format.