Lomography Berlin 400 - 120 Film

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£9.50
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£9.50
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£9.50
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Description

Berlin 120 is a B&W cinema film: extracted from a roll of German cine stock specially for Lomography and steeped in the legends of 1960s New German Cinema. A panchromatic emulsion rated at ISO 400 but able to be pushed to 800, 1600 or ever 3200 while retaining an impressive level of detail. Powerful, enchanting, and updated with a 2019 formulation.

Flexible and atmospheric, Berlin 120 film will help you create timeless and cinematic images of your own.

Specifications 

Format: 120
Colour: B&W
Type: Negative
ISO: 400
Exposures: 12
Pack size: 1

 

To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film.

 

Lomography has been at the forefront of the analogue revolution for decades. Starting in 1992 with some Viennese students falling in love with the aesthetic of a particular Soviet camera (the iconic LC-A) - they founded a movement and a company that would introduce a new generation to the joys of plastic cameras and experiemental film. Periodically innovating new cameras for existing formats - and sometimes bringing back formats specially for their cameras! - they are vibrant and creative

For more information about the different Lomography kino films then shop the full collection or read our article explaining the differences.

 

Where we ship

When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Lomography Berlin Kino Film 120 today and dive back into the fun of medium format Lomography film photography!

The Analogue WonderLab

When you’ve shot your roll of film and are looking to get it developed and scanned, then look no further than the Analogue WonderLab!

We can process your film for you, scan it at the resolution you need, and email back the files quickly and securely.

We offer FREE tracked shipping to our lab so that you can send us your negatives with total peace of mind. And our lab team are all passionate film shooters themselves, so you know that your film will get the best possible treatment!

Head to the WonderLab page here to read more details, or add the bundled developing above when you purchase your film.

Please note that our long-term aim is to offer developing for every film that we sell, but this is a work-in-progress. For full details and FAQs please head here

How Does the Bundled Developing Work?

To make your analogue adventures even easier (and cheaper!) we’ve implemented the option to pre-pay for your processing when you buy your film. This means that you choose your developing and scanning options on this page, via the little tick-box above, and add everything to basket for an immediate 10% saving on all processing costs.

Your film will be dispatched in line with our usual shipping times (full details here) and you will also get an email with instructions on sending the film back to the WonderLab (with tracked shipping - on us!)

When you have shot the film - whether that takes you a day, month or year - you generate the free tracked postage label by following the simple instructions from the email, and pop it in the post with a note of your original order number. We’ll do the rest!

So buy the bundle and relax into the shooting process, knowing that you’ll get to see the final results from your photography, without having to reach for your wallet again.

Happy Shooting!

We send all parcels via TRACKED service - free in the UK for orders of film over £50.

This means that when you buy your film from us you will be emailed a tracking link at dispatch, and will be able to follow your parcel’s journey all the way to safe arrival.

Please note that it is not a signed service so you won’t need to be at home to receive your film, and our letterbox-friendly boxes fit through the vast majority of European letterboxes!

You will have different shipping options and costs at checkout, depending on how quickly you need your film. Please refer to the Delivery Details page for full information

Get Inspired

Visit our Wall of Inspiration to read different film reviews and see images from our talented Analogue Wonderland community.

Take a look

Customer Reviews

Based on 5 reviews
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M
Meredith Wilson
Perfect for: Landscapes, Creative/Abstract
Sharing with the Film Community: Yes
Accreditation Handles: Meredith Wilson or @merrimayhem on Twitter or Glass
Unexpectedly Dreamy

This roll was something of an impulse buy and I decided to use it in my Holga 120 CFN. I shot the roll back in March and then kind of forgot about it. Fast forward to October and the opening of Analogue Wonderland’s very own WonderLab and it seemed like fate had conspired and the film should be developed by the team I purchased it from.

The images were shot at a local lake on a very dull overcast day. It’s rated at 400 so I figured it was worth a try though I had no real idea how it would perform. When the scans arrived from the WonderLab this week I was both surprised and pleased with the results. I really like the dreamy, misty quality. It’s made for some atmospheric landscape images. I fully appreciate this look won’t appeal to everyone but it’s intrigued me enough to want to try it again. I do like to process film myself, but given some of the other reviewers experiences with processing it themselves, I’ll be more than happy to keep sending my rolls to the WonderLab to process. Thanks very much Marina & team. I love having a closed circle service 😊

J
Jack Crofts
Sharing with the Film Community: Yes
Accreditation Handles: @jackcroftsdigitalportfolio
A fine film

Short but sweet review from me today. The film base is quite dark which results in muddy shadows and highlights when compared to Ilford and Kodak black and white films. I developed my role in D-76 in stock and found when scanning the negatives that the files were a bit flat and had to be pushed to get a contrast that I like. The only way I can describe it is all. mids and little shadows and highlights. Personally, I would prefer to shoot either a Kentmere or Foma film as they are about half the cost and I prefer the look of those stocks.

The film is fine I know some people will dig this film, unfortunately, it's just not for me.

G
Gavin collins
Perfect for: Great All-Rounder
Sharing with the Film Community: Yes
Accreditation Handles: Gavin collins
A great all round film

This is the first time I have used this 120 film and was keen to give it a try I am happy with the film although the weather was pretty rubbish which left the negatives with a low contrast but I have a roll of 35mm which I will use when the weather is good I developed it in xtol with the same time as for the 35mm as no time was stated for 120mm on the massive dev chart. The picture is only a quick scan on my phone.

N
Nick Hood
Perfect for: Great All-Rounder, Beginners, Portraits, Landscapes, Street Photography, Travel
Moody medium fast cinematic film

The first time I tried this film, I wrecked it with a stupid mistake in developing. This time, I sent it to AG photo for processing, not so much because I was afraid to develop it myself, but more because I have been too busy to do my own processing.

On a recent trip to Dunkeld, I dropped a roll in my little old Afga Isolette, a ridiculously cheap camera -- most of the film I put through it costs more than the camera did. The camera has no meter or gadgets to tell you where to set the dials, so you have no choice but to figure it out according to the light and the film speed, and what you’re trying to achieve. I have ditched the neurotic habit of writing down every exposure setting of every frame. Consequently, I’ve enjoyed my photography more, although I am less certain of good results.

I am pleased with how moody this film is -- the autumnal feeling of a rainy weekend in the Hermitage Forest is certainly preserved in these images. I scanned the negatives on an Epson and made a couple of contrast adjustments in these examples, and added some split toning in the cropped one. I will be back for more of this stock.

J
JTK
Perfect for: Portraits, Street Photography, Creative/Abstract
Great cinematic retro look - annoying to develop at home

This is a difficult film to review: the end results are pleasant and under the right conditions, the film shows wonderful potential with a lovely grain structure and a fantastic cinematic look.

Unfortunately, however, to get there, one needs to be very patient and resilient (or send it to a lab). I have been developing my own film for quite a while. So far, this one has been the most troublesome. Loading it on plastic reels is difficult and frustrating as it tends to twist and turn a lot. I also found that it needs longer fixing than other emulsions. Despite using wetting agent as normal, the film developed drying marks. The biggest surprise was the heavy curling which made the negatives impossible to scan at first (flattening the strips under a stack of books worked well). The film has a dark film base which might limit the tonal range. Of course it is perfectly possible that I just got unlucky with the two rolls I shot and developed so far.

Once dry and flat, the negatives look fine. If you are used to the classic 400 emulsions, don't be discouraged by the dark, yet thin film base; the negatives still scan nicely. That being said, the film definitely has less latitude and flexibility than HP5 or Tri-X and needs good light to shine. But if you find that golden hour sweet spot, the images come out looking great displaying a strong cinematic nostalgia and lovely cubic grain. The sample photo below was shot during golden hour and with a yellow filter attached to the lens (developed in Rodinal 1:50 for 13 min at 20°C; exposed at EI400 with adjustments for filters). The negatives without yellow/orange filters tend to look a bit too flat for my taste.

Despite the pleasant results and the cinematic look, it did not win me over. HP5 and Tri-X are more flexible emulsions, easier to develop, virtually indistructable, and deliver great, contrasty results in almost all lighting conditions. I would give the film 3.5 stars - but in absence of half stars, I will have to award 3 stars.