This is my favourite 110 film stock so far. It’s got great grain for the size of the negative. I really enjoy the colours and find it’s great for a mixture of photography styles, portrait and landscapes etc.

Sample image shot using a Lomomatic 110.

This was the first 110 film I shot and I have some beautiful results. The colours are bright & vivid, with a vintage aesthetic I love. I have found its possible to capture a surprising amount of sharp detail from such a tiny negative.

I do find the results can feel quite hit and miss, but this is almost certainly down to my skills as a photographer. The images I am happiest with show what this film is capable of.

I would recommend for day trips/portraits/flash images.

The Analogue Wonderland team did a great job of developing my film, so I would recommend sending it to them.

This film stock has been my gateway back into analog photography and I'm borderline in love with it. From all the 110 film I've shot so far, this is the one I return to more often.

This was my first foray into 110 film, with a Minolta pocket found at the carboot. The novelty of 110 film itself is amazing, with it's nifty little cartridge, and didn't disappoint.

Lomography Tiger 110 is a lovely warm film, with gorgeous grainy textures, and shot well both outside in natural light and inside without a flash. I'm still getting the hang of my camera and the format, but find my little shots very charming, and will definitely use this range of film for it from now on.

My first 110 film. I shot this on a Halina Flashmatic 110 Tele bought second hand, although I'm sure there are better 110 cameras out there. I like the grain, and this film seems like a great all rounder. I would love to take this film on holiday.

Nice colour film with a nostalgic look.

I use this in my Minolta Weathermatic which is fully waterproof and the colours and contrast are perfect for the action snapshots I love it for.

110 is such a fun format and this is my favourite stock for it.

110 is a fun format to shoot and I think its reputation as being no good comes partly from a lot of 110 cameras being no good, leading to bad results.

If you get a decent one (Pentax 110 Auto, Minolta 110 Zoom, Rollei A110) you can get nice enough images from this Color Tiger film. Lower-fi than 35mm yes, but still pleasing if you know what to expect. And, to repeat myself, fun to shoot too.

Just remember to tape up the shot counter window on the film case to avoid potential light spots in your shots. :)

My go-to film for my Pentax Auto 110!
Got fed up of only ever using my phone to take photos and leaving my cameras behind due to their size in day-to-day life. 110 solves that with the compactness of the camera and film, often producing wonderful results in good lighting.
Wish there was a larger range of ISO in this film for different situations and it wasn't so frequently out of stock, but definitely worth the cost to buy and develop!

Of the colour films available in 110 this is my favourite by a distance. Anyone using 110 knows it limitations but as the proud owner of several Pentax Auto 110's the format still excites me; the cameras are tiny yet the results can be awesome. Tiger has a range of colours depending on where its shot - bright pastels indoors to sharp contrasty colours outdoors.
You need to be comfortable with the grain and loss of detail on what is a 16mm film but given the Pentax 17 is only 1mm larger it shows that small can still be beautiful.

Using 110 film with the Pentax Auto 110 on vacation was fantastic. The camera’s compact size and easy operation made it perfect for travel. The film’s vintage feel added a nostalgic touch, and the image quality was impressive. Overall, it was easy and fun to use, capturing memorable holiday moments.

Unfortunately, seems like quality assurance on Lomo Tiger 110 seems to be lacking. Some shots look incredible, noisy but has a vintage aesthetic that brings out the best of 110 film. However, some shots became completely unuseable down to dodgy backing paper. You can see in one of my sample images there are yellow spots, and also the image generally is quite thin- unfortunately, seems like these light leaks were really bad on the end of the roll I shot, causing bright dots in the image, and then the rest of the image to be somewhat unclear. I wondered whether this was an issue with my camera, but it isn't- I took an image before the one with the issues, and it wasn't as thin a result as seen in my sample shot (closer to the end of the roll I got, the worse it got).

Overall, not impressed by Lomography 110 film. Quality of the images is impressive when it works, but it's up in the air as to whether the quality control on the particular roll you have is good. My recommendation would be to tape over the area where the film shows how many shots are left, to avoid light leaks in the backing paper.

This is a great film for your 110 camera that wouldn't really be used for shooting "standard" colour film if this product didnt exist.
Renders colour in the typical nostalgic way that film does.