Lomography Colour Negative 800 - 120 Film
The medium format low-light specialist, this 120 film will keep up with you no matter how late it gets! For evenings, parties, and winter excursions, three rolls in one pack makes it affordable and fun.
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Lomography Colour Negative over on EMULSIVE.
Lomography has been at the forefront of the analogue revolution for decades. Starting in 1992 with some Viennese students falling in love with the aesthetic of a particular Soviet camera (the iconic LC-A) - they founded a movement and a company that would introduce a new generation to the joys of plastic cameras and experiemental film. Periodically innovating new cameras for existing formats - and sometimes bringing back formats specially for their cameras! - they are vibrant and creative
For more information about the brand check out our bio of Lomography
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Lomography Colour Negative Film 120 Colour ISO 800 3-pack today and dive back into the fun of 120 film photography!
I took a day out in the East End of London with my Fuji GA645Zi. The only film in the fridge was Lomo 800 or Tri-X. I usually prefer black and white, but thought, what the hell, I’ll try this Lomo that keep putting off using. I assumed it would be some poncy, grainy, arty film For the kidz.
I couldn’t have been more wrong. Colours are true to life and grain is so restrained that you could mistake it for 200 ASA. Just remember you’ll b3 stopped right down on bright days and many medium format cameras only go to 1/500. Thankfully the GA645Zi goes to 1/700 and stops down to f32.
Shame it’s out of stock at present, but this film is highly recommended in both 120 and 35mm.
This film is so amazingly versatile and forgiving: 1) Developed normally, it can survive being exposed as EI100 (!!) with virtually no penalty in image quality (but a nice bump in saturation) 2) If you push it in development, Lomography CN800 can give very usable results up to EI3200, my favourite sweet spot being EI1600 - beautiful, slightly muted colours, pronounced but very organic grain, sharp and reasonably contrasty. When you add its price to the mix, it's really hard to beat Lomography CN800 for sheer versatility! Oh and it looks great :) This shot is EI1600.
I bought this film after hearing that it was the budget Cinestill and finishing the Cinestill 800T sold out everywhere.
I was honestly so surprised at the beautiful results from this film. I took it with me on a trip to Tel Aviv and took this beautiful portrait of my grandmother. I really recommend it to anyone who wants these beautiful cinematic tones.
Like Lomography 800 in 35mm, this has a useful speed for poor light and strong colours, but in medium format the issues of grain that turn up in 35mm are reduced, resulting in even better all-around performance. As long as you don't underexpose, this film can produce some terrific results. Well-suited to cameras like the Holga with slow lenses, or medium format reportage and street photography generally.
Expect to get good colours and some amazingly warm skin tones if you’re into that sort of thing. The film is designed for photographers who need a fast film for a variety of reasons.