When I got this film, I had no idea what to expect. Yellows and oranges, sure, but that's the beauty of film, you've no idea what you're going to get. Every photo is tinged in an apocalyptic glow. Great for seeing familiar places in new lights. The film is rated for 50 - 200 ISO; I shot these at 200 as it was quite cloudy.

Whilst i neglected to compensate for light - I'm so in love with these images, the colours are wonderful and different each time. Would thoroughly recommend to try this film out and see a familiar place just a little differently.

Fun film to play with in all weather, although best in sunny

nice color

I tried this film in sunny conditions and was well impressed, but also feel this film could be well suited to the sometimes endless cloudy days we frequently have to endure in the UK when black and white might be the preferred option. Great for gritty urban landscapes and unusual countryside views.

This was a bit of an experiment for me, while in some cases the tones are really lovely, i have found the colour shifts to be speradic in their intesitiy across the roll of film. These samples are half frame and shot with the Alfie Tych+

Produces amazing effects. It is not like “normal” colour film and takes some getting used to. Not an everyday film but worth keeping in a second camera.

It has a lot of potential, especially if you are into producing dystopian scenes. I've only shot one roll to this day but I think getting the exposure correct can be a bit of a challenge, with underexposure being a major concern and stray light being more of a problem than shooting with a normal roll if shooting at night. The other issue is being able to visualise how the scene is going to look like in redscale. Having said that, I think all of these issues can be handled fairly consistently once you have enough experience shooting with this stock.

A fun film to experiment with, if your looking for the more intense redscale effect meter for 200 ISO, as metering for 50-100 can reduce the effect, and on longer exposures it can be removed completely.

I did end up with a repeating dotted pattern on uniform areas of the images which is distracting (as shown on the 4th image, I assume this is just a result of rescaling the film and the density of the film back), and there were some light leak effects from the film lifting (causing sproket hole light patched, as shown on my 3rd & 4th images). These imperfections are not necessarily a bad thing, but they are worth baring in mind!

Had a blast playing around with this film. Still need to work out how best to use it but it got the creative juices flowing and I got some keepers so that's all good.

I loved shooting with this film stock. The red effect is something else but if you apply a blue filter it lessens the effect and leaves you with a rather pleasing muted colour pallet.

This one is for lovers of colour orange. Quite similar to other Lomography products, like Lomography Purple or Lomography Turquoise, in the way it distorts colours to specific shade. In this case - orange, yellow and red. Only for daylight and for lovers of experimental films.

It's quite experimental and film to shoot with. You never know what kind of results you will get, but because of that it's even more. For experimental film lovers only.

Great colours, fun film - interesting differences between shots and settings. Would definitely shoot again!

Played it safe and stuck at iso 100
Didn't work great inside (underexposed), was good in Brighton sunlight, Red tint was strong when it was cloudy

Some images have a blue granule like texture running through them. Images can appear cloudy.

Definitely fun to experiment but not my go to