Not your everyday film, but is a novel idea. My favourite thing is definitely the grain - up close my scans look like a bunch of dots!

Huge grain and yellow shift. It's not a serious film but I've managed to get some interesting shots out of it and may shoot it again.

Really nice film, had a lot of shooting this. The colours are great. I shot this at a beach with reeds and sand dunes and they turned out great.

I shot this in a point and shoot with a DX code reader and this film doesn’t have a DX code so my shots were overexposed by one stop. I thought this would be fine but I forgot that this is slide film and metering needs to be precise. Some images were nice and golden otherwise were sickly green. I had fun with this film and would shoot it again for sure.

I love the colours this film brings out. I used this in an Olympus Trip 35, and being a total beginner a few shots in the sunlight came out a bit damaged, but at the same time, they look pretty cool, and that is what film photography is all about.
Really enjoyed using this film.

Shot at 200 in Olympus XA and processed as c-41.

A review of of this film I read elsewhere included the term 'super grain' - it was right, so be prepared for that. Don't use this film on a special occasion, for your once-in-a-lifetime holdiday memories, because whatever colours you end up with, detail will be lost in the grain. If you can, keep it in a camera that you don't need to use all the time so that you can pick and choose when you use it and bring it out when you think you might get something interesting. In the right circumstances it can give a surreal, dream-like quality. From my film I would say that it struggled with deep shadows but, on the other hand, didn't need full sun - I loved the drama it gave to an overcast sk; and it looked most 'normal' with clear blue skies and winter trees and no greens or yellows to work on. Some of the pictures I got with it I liked very much and will probably use it again sometime.

Cross processing has its joys and for that you need to spend that money and shoot on Fuji chrome films. This cross bird gives you some approximation of the aesthetic and colour features but not really. It's murky and has a strong colour cast without the additional contrast. With some experiments you could determine what it's best for. I would suggest shooting it as a E6 film and seeing what that cast does.

love the warm colors of this film.