Rollei Infrared Film 35mm Infrared ISO 400
Our Price: £6.00 GBP100171
The optimum creative tool, this 35mm film can be shot in two different ways. First - as a straight black and white film ISO 400, with a slight ghostly result due to the infrared sensitivity. Alternatively you pair it with a deep red filter to disproportionately focus on the IR spectrum! Trees will be bright white, people will glow, the sky will be dark black, and you will be rewarded with some of the most dramatic images straight out of the camera. Note that this will increase the necessary exposure significantly (it will respond at sensitivity of ~ISO 12-25)
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Rollei Infrared over on EMULSIVE.
As a company Rollei is most famous for it's cameras - particularly the iconic twin-lens Rolleiflex - but this German-based company founded in 1920 has also had a long history of making B&W films. Unfortunately the parent company didn't survive the digital revolution of the 90s/00s but the brand survives today under licence to AgfaPhoto - who continue to support emulsions old and new.
For more information about the brand check out our bio of Rollei
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Rollei Infrared Film 35mm Infrared ISO 400 today and dive back into the fun of 35mm film photography!
Never shot infrared before, but I actually quite enjoyed this film. It's most effective with a red filter, so I would recommend getting one if using this film. I can't say I like what it does for portraits but it's good for landscapes and architecture in my opinion.
Good quality infrared film that can be processed as standard black & white but will let you see a different side of your images. Works best with a red filter and turning down the ISO (film is rated to 400, turn down to 25). It takes some experimenting to get good images but its worth it.
I didn't even know they still made IR film, and after years of being bummed that IR digital seemed so elusive for me (and disappointing when I used it), I decided to finally give the film stuff a go. I developed mine in HC-110 and loved it. Then I got the idea to do tri-chromatic photos with it ... filtering 3 different shots to combine into a color photo via PS. Kinda like reviving Aerochrome. My process is on a YouTube video if you want to search for my name and infrared. Anyway, I've included one B&W shot, and one trichrome. Still need to try this with 120 and 4x5!
I've only ever shot one roll of Infrared film before, that was around twenty years ago. I didn't manage to get a single decent image. I stumbled upon my infrared filter recently and thought I would have another go with it. I ordered two rolls of Rollei Infrared 400 to see what I could do with it. Our local cemetary seemed like a choice spot for a lockdown walk one sunny afternoon. Equipped with my old Chinon CP-7m, Infrared film, filter and a sturdy tripod I spent a couple of quiet hours shooting the scenery. I was thrilled with the results. Creepy white trees and black skies, wonderful stuff. With an infrared filter on I needed to add an extra 5 stops of exposure, so I basically metered at ISO 12, aperture set to f11 or f16 made for some long exposures; tripod is a must!
It was a little tricky to shoot. The filter is so dark its like looking through a lens cap. Framing the shot before screwing on the filter is essential. Well worth the effort is you want some imagines that look a little different from the norm.
I have been interested in infrared photography for a long time and decided to give it a go after reading many reviews on how to expose the film correctly with an infrared filter to get the best results so this is my first attempt and it didn't disappoint. I thought I would only get a few shots with the correct results in mind but in fact the 36 images came out as expected with white trees and grass, black sky and water. Since it was my first roll of infrared film ever shot I bracketed the same scene with three different exposure and applied the sunny 16 rule as the sun is very much needed for it to work and ideally with the sun positioned behind the camera and the scene being photographed. The R72 infrared filter is a must for total rendition. The Rollei 400 infrared is grainy but I don't mind that, grain is the film life!