I bought a couple of rolls of 120 Superpan 200 to try out it's Infrared capability. I loaded into my MPP Microcord TLR fitted a IR720 filter and took a few shots in a local park. Very pleased with the results.

Having got a 3D printed bay 1 filter adapter (meaning I could use my 52mm 850nm filter on a Yashica 635), I figured I’d try IR medium format for the first time.

I knew Rollei Superpan 200 was excellent in 35mm format, so had no doubts trying this in 120, knowing the grain would be even smoother, and the IR effect didn’t disappoint.

Developed in 1+2 ID-11 for 18 minutes.

The ‘normal’ black and white shooting is also excellent, meaning you can shoot not limited to to IR, giving brilliant flexibility.

Versatile film, I personally prefer it for infrared over standard B&W. A few quality control issues, some my shots contain the famous "Rollei Rain" and the hole in backing paper exposes on the last shot.

Pretty decent film although I did get some strange marks on some (not all) of the negs. Only really viewable when the scan was blown up

One of the ones that came out fine below

I like this film more than Rollei Infrared 400 which I like a lot. But this film is finer grained and I think makes even better infrared and black and white photos. In 120 you do sometimes get the "Rollei Rain" (black flecks) not a problem with 35mm. I shot it at ei125 for black and white and ei 6. with infrared filter.

This is such a versatile film!
Great when shot normally at box speed, and just as great when using an IR filter. I shot my latest roll "half and half"..some IR, some not, and I'm very happy with the results... especially as I'm only just getting into shooting IR.

I recently discovered this film, trying it first in 35mm to see where it fits within my photography...and it seems it fits with almost ANYTHING. What I found with my latest roll of this film is that it seems to like a polarising filter. I shot the sample images with my Mamiyaflex C2, and developed it in HC110 Dilution B for 6 mins at 20°c.
If you've not tried Superpan, you don't know what you're missing.

I shot and developed this as I would normally and something must've gone wrong because while the negatives looked 'fine' the contact sheet was really underwhelming. It looked like it had been under exposed and then overdeveloped, as the grain was massive and shadows nonexistent.

But with some work I managed to pull some actual images out of it. It seems like it could be a really interesting film because it does have some extended sensitivity to red light. But without shooting more I just can't recommend it as my results were just all over the place, still that could be down to something on my part.

Super versatile film which works well for standard B&W as well as IR. Can be used to create excellent IR trichrome.

Well
It’s doggone great!

I seem to have spent a lot of time during the Summer of 2022 indulging in Infrared film photography. Rollei Superpan was recommended to me and, as it is cheap, I bought a few rolls to have some fun with. I shot my medium format rolls with my Goodman Zone Z1 and a Kood IR720nm filter. The results I got have encouraged me to keep using it.

I bought this just as a test to see if there was a black and white film I might like on a budget. I love Acros but it’s harder to get hold of and more expensive. This is surprisingly good and does not perform like a budget film. I have scanned these images at 100MP and the detail is there and grain very mild and pleasing.
Definitely will be buying again.

I have been using Rollei's films for an infrared project that I am working on and have been blown away by the results I have been getting. I ordered some rolls of Super Pan to test and try as I have previously only used Rollei's 400S and dedicated IR film. Unfortunately for my application, I find Super Pan not up to the same standard as the previously mentioned film stocks. It still works well and is a good entry point into IR photography because of the price.

I feel this is to do with either the film base being different to 400S or the fact that I am just used to having a completely clear base now. It might even be a mix of the two.

When not doing IR I find the film to be pretty good. It is a high contrast film and is quite sharp, I like a grainy film but in Super Pan's case, I feel a bit off about it. It's a bit chunky and yet at the same time kinda speckled. It's a weird one, I'll shoot a few more rolls and see how I feel.

This is the second time I have used this film This time on a second Bronica S2a bought as needing repair . It needed two small screws. Exposed as per normal ISO 200 asa . F 8 at either 1/125 or 1/250. This time developed with Kodak HC110 dilution B 1:32 for 8.5 min. Slightly longer tan the 8 min recommended. Stop was an indicator stop bath and Fixed with Ilford fixer. Love the quality and detail that I obtained with this film. It is definitely a film I would use again in 120 and 35mm formats.

I was really surprised by how much you can get out of this film in different situations. From "soft" feeling dreamy images with natural light to really contrasty images using B&W filters. This flim really delivered and the sharpness and details is great.

A great film I shot this on a Bronica S2a with a nikkor 200mm lens on a walk round cartmel. I was impressed with the negs as soon as they came out of the wash. They scanned in well and needed very little modification in lightroom. ( the modern alternartive to the dark room)