Pulled on stop it's honestly a gorgeous daytime film, but since it's tungsten balanced it makes it really flexible, lovely film stock

First of all, this is a >fantastic< film…great for low-light photography.

However, you’re essentially paying a premium for nice packaging, which I didn’t realise at the time. It’s respooled Kodak Vision3 500T - just search around.

Rather pleased with the results.
Shot this tungsten balanced film outside in bright sunshine. The overall washed out blue cast gives the pictures a very retro look.

Normally I stick to C41 processed films or B&W, but I bought this on a whim of exploring some different stocks, and I was extremely impressed with the results. Shot this roll in quite a few different places with different subjects, mainly because I wanted to see the variety I could achieve with cinefilm. Thoroughly impressed with the photos I got, and Analogue Wonderland processed this film faster than I expected which is even better!

I found 500T somewhat forgiving, but it was really quite grainy and waiting on ECN2 development can be tiresome - it holds me back from regular use. I don’t think I’ll be shooting it again in a hurry, but if I did I’d feel confident in the results.

I shot it at 250, as Analogue Wonderland recommends. Results are pretty good, all around. Nice colours, adaptable, versatile.

Pretty good. Your standard 250/400 iso film. Reliable, for tungsten balanced film, it's quite good for summer days.

Second time trying this film and definitely prefer the results from sunny days; blues and reds come out brilliantly, while greens (especially on an overcast day) can come out quite silvery. Still beautiful, just a different mood. Also entirely possible I am not using the film to the best of its ability as I’m using Olympus trip which only goes up to 400.

I choose this film to counter balance the lighting I knew I would experience in the home when shooting these portraits. However outside it really was beautiful. I love how it slightly destaturated without damaging skin tones in the natural light. Inside it was giving classic vintage vibes (as cliche as that sounds) I am a die hard fan of this film stock.

Pleased with the results. Shot it in my GW690ii which gave a nice panoramic/cinematic look. Will be buying more!

Great personality, very easy to shoot with, and some great results - even on my very basic Ilford Sprite I got some excellent shots. It came out with a nice cool tone to it but handles the complexity of colour in the pictures very well. It wasn't the simplest to get developed due to the need for ECN2 processing but the results are definitely worth the extra time and attention needed. I would love to try this out on a better camera and really see what it can do if it's not limited by the capabilities of a sub-£50 point-and-click.

Very sharp film with beautiful tones. Definitely needs a warming filter in some lighting, I shot it without one, and it's come out great under some indoor lighting, but a bit cold under others. Very natural colour when the lighting is right. I shot it on 400 ISO and developed as normal, and I like this effect but I had a few underexposed shots on the roll so be careful with the metering.
Since my local lab has a two day turn around on ECN-2 this might displace Ultramax as my go to, sorry Ultramax.

This was my first time using a cinematic film, and I was so impressed by the results. My previous attempts of nighttime street photography were not great, but going out with this film I was able to capture scenes exactly as I wanted. With the ECN-2 process there will be a wait when sending it off to lab, but it is so worth it. I shot at about 260/270 ISO (hard to tell on my camera but it was as close to 250 I could get).