Now I thought to myself I oughter use this more when I got these little darlins' back from the Wondies.

First time in nearly a year I've given it a go and it certainly lives up to its billing.

It's a funny old place to take pictures up the marsh because that's mostly mud at low tide, compared to high tide when that's mostly sea.

I loved the way it managed to capture different tones, because if you don't get that it just looks like mud (or sea) without much depth to the picture.

One or two reviewers reckon it's sharp and I wouldn't disagree.

Best of all it doesn't go all noisy on you if you give it a bit of a tickle in post, like I usually do.

Good results but a little more expensive than some, so it pays to be careful in use.

Very sharp film gives an almost digital result when compared to Ilford FP4 it's nearest traditional film rival and similar to it's t grain rival Ilford Delta 100 my shots were taken on a dullish day but still retained great detail it's somewhat expensive so grab it when on offer

This was my first time using Tmax 100 and i was not disapponted. Mainly portraits and macro and very pleased indeed

They say it's got the finest grain on the box.

It's certainly not too overpowering and scans come back quite sharp.

Nice film, not that pricey in the scheme of things - think the Wondies are doing a discount atm.

Great film, and as the title suggests, it returned the best results on a single roll I've seen in ages. I'm coming back for more!

This was a roll of firsts...

First with a new lens and, as a long time Ilford shooter, first with TMax 100. And... what a film this is; why have I waited so long.

So, to test it out, where better than a local ruined church for some leisurely, slow paced, mindful film photography. I'm loving the look, feel and grain structure of this film which has delivered all the detail in this crumbling ruin. In addition, the developing from the Wonderlab has resulted in some lovely contrasty images - just what I was hoping for.

I'll definitely be returning to Max 100 again.

I brought some roles of near expiry Tmax100 from AW and used them on a shoot with the Harriers at RAF Wittering.

I exposed them at 80iso as this seems to be the true value of this film and I developed them using the RH method using 510pyro and home scanned.

I was really pleased with the tonality and the way the film held up in the low setting sun and it took very little processing to get a great looking image.

A great classic film stock from Kodak. The grain is very very fine as Kodak claim. I used an expired roll (probably nearly 20 years old) and still came out the camera brilliantly. Develops very well using Ilford ID11. Has great sharpness, contrast and does well in lowlight. It is quite pricey but worth it.

There's certainly no shortage of good black-and-white films. Kodak T-Max 100 isn't an exception either. As other reviewers have said, it is pretty sharp indeed. I enjoyed the results I got from it.

I have not shot Tmax 100 before, probably because of the price and also I mostly shoot 120 roll film. However as a new combo developed in Xtol, I am very pleased with the results. I guess this is a case of you get what you pay for. 35mm I always felt lacked the clarity of 120, but I have to say, my view has altered after this combo. Try it.

I’ve tried lots of B+W films over the past few years and I think this could well be the best yet! Amazing sharpness/clarity, fantastic mid tones and great detail in the shadows - I always marginally overexpose to ensure this. I’m a big fan of Ilford’s FP4 but I think Kodak has won me over with this emulsion after only two rolls! I would say this is now my go to B+W film! Perfection!

A good quality ISO 100 stock suitable for enlarging but lacks the character of Tri-X. Unless you're planning on making largish prints, I'd go with a cheaper stock like Rollei RPX or Agfa APX

Great contrast, great tons, great fine grain, eveything is great with this film. Of course it is a slow film but you know that when you buy a 100 iso film. A must have, or at least a must to try.
Works very well with long exposures and landscapes. I never tried it with portraits but with this grain, it must be exquisite.