I needed a 110 film to test a Falcon Micro 110 'spy' camera, so took a chance on this film.
I scanned the results at home using the Lomograph DigitaLIZA and my phone, so not sure how accurate the final result was. However, against a collection of B&W images it stands out really well

Wondrous colour transformations

My daughter shot this film in her Lomo Baby Fisheye 110. It is a strange filmstock that has very selective use I think. It responds better in brighter environments. Having seen her results I'm tempted to get myself a roll in 120 to try.

First time using 110 film since I was a kid, back in the 70's (yes I'm that old :/ ) - so thought I'd treat myself to something different. Lomo Turquoise is was. I took the film and my transforming Voltron camera and headed to the seaside - Old Hunstanton if anyone's taking notes.
I processed the film myself in Cinistill colour developer and scanned in my shots.
What I noticed first about the images is the nice colour shifts, the sky in particular, ranging from oranges to pinks, it seamed to be more striking on brighter sunny blue sky days. The foliage seemed to take on a vibrant other worldly green, and the iconic red phone box became ... err ... blue.The focusing on the camera was a bit soft, but it gave the photos a watercolour effect I thought looked quite interesting.
I really enjoyed using the camera and 110 film again, I really luke the colour pallets the Turquoise film produces and will definitely be using the film again, maybe try out the larger formats.

Excellently grainy 6x4 prints with vintage look 5mm borders. Love the dreamy colours and surreal atmosphere this film gives. Really different skin tones - like a 70's Sci- fi film.