CineStill 50D - 35mm Film

£15.00
£15.00
£15.00
Sold Out

CineStill 50D 35mm is an outstanding film from a fantastic family-run US supplier: 50D means that the film has ISO 50 and is colour-balanced for Daylight.

Adapted from Kodak cinema stock, CineStill 50D emulsion boasts the finest grain available in a commercial film. Your reward will be exceptional detail and vivid colours in your photos - the perfect 35mm for delivering stand out images in bright light.

Also available in 120!

Check out our video review for more details:

 

Specification

Format: 35mm
Colour: Colour
Type: Negative
ISO: 50
Exposures: 36
Pack size: 1

 

To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about CineStill on EMULSIVE.

 

CineStill celebrated it's 5th birthday in 2017, having quickly developed a fantastic reputation world-wide for their innovative approach to fulfilling analogue needs. They are specialists in converting rolls of cinema film - designed for movies - into batches of 35mm and medium format film that can be used in thousands of cameras, and developed in any minilab in the world. Their passion is for everyday photographers to have the same access to high-quality emulsions as Steven Spielberg, Wes Anderson, Martin Scorsese, and The Coen Brothers! Sometimes referred to as Cine Still.

For more information about the brand check out our bio of CineStill

 

Where we ship

When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your CineStill 50D 35mm Film today and dive back into the fun of CineStill film photography!

The Analogue WonderLab

When you’ve shot your roll of film and are looking to get it developed and scanned, then look no further than the Analogue WonderLab!

We can process your film for you, scan it at the resolution you need, and email back the files quickly and securely.

We offer FREE tracked shipping to our lab so that you can send us your negatives with total peace of mind. And our lab team are all passionate film shooters themselves, so you know that your film will get the best possible treatment!

Head to the WonderLab page here to read more details, or add the bundled developing above (if available) when you purchase your film.

Please note that our long-term aim is to offer developing for every film that we sell, but this is a work-in-progress. For full details and FAQs please head here

We send all parcels via TRACKED service - free in the UK for orders of film over £50.

This means that when you buy your film from us you will be emailed a tracking link at dispatch, and will be able to follow your parcel’s journey all the way to safe arrival.

Please note that it is not a signed service so you won’t need to be at home to receive your film, and our letterbox-friendly boxes fit through the vast majority of European letterboxes!

You will have different shipping options and costs at checkout, depending on how quickly you need your film. Please refer to the Delivery Details page for full information

Get Inspired

Visit our Wall of Inspiration to read different film reviews and see images from our talented Analogue Wonderland community.

Take a look

Customer Reviews

Based on 45 reviews
73%
(33)
16%
(7)
11%
(5)
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A
Alastair
Perfect for: Portraits, Landscapes, Creative/Abstract
Sharing with the Film Community: Yes
Accreditation Handles: Alastair
Realistic colours

I shot a couple of rolls of this recently during a spell of March sunshine. In these conditions CineStill 50D produces lovely natural colours, an excellent range of tones and very fine grain - recording the scene as I remembered it. Probably not suited to dull weather. I will be using it again on bright days when a 50 ISO film is ideal.

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Kelly Burton
Perfect for: Great All-Rounder
Sharing with the Film Community: Yes
Accreditation Handles: @1nderwivme
No.1 colour film for me

I haven’t had great results with colour until I bought Cinestill 50.
I was amazed and very pleased with the results that I will be using it more in the future.

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Kerri Larkin
Perfect for: Beginners, Street Photography, Creative/Abstract
Sharing with the Film Community: Yes
Accreditation Handles: Analogvulture (Instagram)
Great grain and colors

Well it didn't disappoint and I got some great photos. I took photos of graffiti Street art in digbeth Birmingham & my friend was the subject.

The only downsides is you need enough light to capture most things. But when you do capture something with light i it turns out wonderful. I like cinestill but I prefer the 800T to 50d.

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Grace
Perfect for: Landscapes, Travel
Sharing with the Film Community: Yes
Accreditation Handles: @wildernessgracie

Higher grain than I was expecting, and unfortunately camera jammed in the middle, but manage to salvage most of the images. The colours for me are quite muted and skin tones a bit yellowy (might have been my camera/settings?) but handled lower light levels better than I expected especially as I did shoot this at ISO 50.

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R
Rook
Perfect for: Portraits, Creative/Abstract
Sharing with the Film Community: Yes
Accreditation Handles: boydefilm
My Favourite Film stock

Cinestill 50D is a motion picture film with its remjet layer removed. All this means is that you're going to get halations coming from lights, which is a weird kind of glow. I absolutely love the effect, but some people hate the red tint it can take.

50 iso film is very specialized. Unless you're shooting in daylight/doing longer exposures/are shooting wide open you're likely going to be running low on light. But if you manage to find a time to use it, it's the sharpest and most grain-free film I use in 35mm. I am in love with the colors and saturation it has, and feel it more than makes up for how difficult it is to use. The film is a bit lenient, I feel you can get away with underexposing it a bit and still fitting into its dynamic range, it doesn't suddenly drop off. I've pushed it up to 200 iso as well with great results, although you do begin to lose your halations and it becomes grainier.

I recommend this most for shallow depth of field portraits and long exposures.

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