Cinestill X-Pro Daylight 35mm Film - Colour ISO 50
An outstanding film from a fantastic US supplier: 50D means ISO 50 and colour-balanced for Daylight.
Adapted from Kodak cinema stock, this Cinestill colour emulsion boasts the finest grain available in a commercial film. Your reward will be exceptional detail and vivid colours in your photos - the perfect 35mm for delivering stand out images in bright light.
Also available in 120!
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Cinestill X-Pro Daylight over on EMULSIVE.
Cinestill celebrated it's 5th birthday in 2017, having quickly developed a fantastic reputation world-wide for their innovative approach to fulfilling analogue needs. They are specialists in converting rolls of cinema film - designed for movies - into batches of 35mm and medium format film that can be used in thousands of cameras, and developed in any minilab in the world. Their passion is for everyday photographers to have the same access to high-quality emulsions as Steven Spielberg, Wes Anderson, Martin Scorsese, and The Coen Brothers! Sometimes referred to as Cine Still.
For more information about the brand check out our bio of Cinestill
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Cinestill X-Pro Daylight 35mm Film today and dive back into the fun of Cinestill film photography!
I love the soft dreamy cinema effect on this riverside photo shoot. I had a specific idea for the shoot, waited for a blazingly bright day and I got some lovely vibrant colours.
Some of the pictures were a touch under developed, with a slight green tinge to those shot in shadow (but then the whole area was green so to be expected!). I scanned the negs and touched them up in photoshop.
I've included two pictures shot in bright sunshine and two in shadow. I loved the fine grain and beautiful effect. I'd definitely buy again for bright sunlit shoots.
Beautifully captured the moment my daughter pretended I didn't exist. Low ISO but didn't seem to be any issues. Took loads of photos of my daughter pretending I didn't exist in the streets of Manchester; dull cloudy skies but good exposure and lovely colours.
An amazing film if you have a specific idea for a photo in mind which will allow you to utilise its unique characteristics. I think it is great for moody, cinematic scenes on an overcast day. Be careful not to underexpose it though as shadows get a strong brown, muddy tint. When photographed in shadow, also the skin tones might get a bit of a greenish-olive tone. When exposed properly it has the unique cinematic quality, fine grain, slight greenish cast and those red halations around strong light sources which are loved/hated by many.
Needless to say it needs light being ISO 50. I took a role out on a bright sunny day and at around f8 was getting 250 - 350 in the sunlight, but in a slightly shaded area it dropped to 15 or so, so beware if you don't have a tripod.
Out of the can there was a slight green cast, but easy enough to clear with nice reasonably saturated colours. I did notice on two or three shots there was some red fringing - see photo crop, may have been the equipment, but only happened in a couple of shots, other very similar ones didn't have it. Not the end of the world though.
I like it, will I buy a more? Not often as its a bit low speed for most cases and I tend not to use tripods. But when its nice and sunny it's worth a go. I have another 3 rolls to try out.
If you are shooting with your back to the sun, or it is high in the sky, then this is a lovely portrait film. If there is any light source in the frame then the halation become an issue (unless of course that is why you are using this stock in the first place!)