Cinestill 50D - 35mm Film
Now: £13.00 GBP
Cinestill 50D 35mm is an outstanding film from a fantastic family-run US supplier: 50D means that the film has ISO 50 and is colour-balanced for Daylight.
Adapted from Kodak cinema stock, Cinestill 50D emulsion boasts the finest grain available in a commercial film. Your reward will be exceptional detail and vivid colours in your photos - the perfect 35mm for delivering stand out images in bright light.
Also available in 120!
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Cinestill X-Pro Daylight over on EMULSIVE.
Cinestill celebrated it's 5th birthday in 2017, having quickly developed a fantastic reputation world-wide for their innovative approach to fulfilling analogue needs. They are specialists in converting rolls of cinema film - designed for movies - into batches of 35mm and medium format film that can be used in thousands of cameras, and developed in any minilab in the world. Their passion is for everyday photographers to have the same access to high-quality emulsions as Steven Spielberg, Wes Anderson, Martin Scorsese, and The Coen Brothers! Sometimes referred to as Cine Still.
For more information about the brand check out our bio of Cinestill
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Cinestill 50D 35mm Film today and dive back into the fun of Cinestill film photography!
I decided to run this film through my medium format camera with a 35mm adapter.
It's got an interesting tonality, quite cool straight out of the camera in the lighting conditions I was shooting with.
The details are good, nice and sharp and it captured the blues and purples of my seaside scene well.
This was my first experience of this film and I loved it. It really does give a cinematic look but, only when the conditions are right; i.e. in good light, especially backlit subjects. The film was much less successful in overcast conditions so I wouldn't consider it a good general purpose film.
I was lucky enough to have great weather when shooting this film, and the abundance of sunlight resulted in an easy shooting experience. This film renders colours in an amazingly cinematic way, just a touch removed from realism to really elevate scenes. The halation around strong light sources can be good or bad - when used consciously the effect is wonderful, but when incidental it can be unpleasant. Detail seemed well maintained in shadows and highlights. I would use this film again, and would be happy using it for street, landscape, and portrait photography. Just look out for any strong light sources that may cause halation, and avoid or use them consciously.
I love the soft dreamy cinema effect on this riverside photo shoot. I had a specific idea for the shoot, waited for a blazingly bright day and I got some lovely vibrant colours.
Some of the pictures were a touch under developed, with a slight green tinge to those shot in shadow (but then the whole area was green so to be expected!). I scanned the negs and touched them up in photoshop.
I've included two pictures shot in bright sunshine and two in shadow. I loved the fine grain and beautiful effect. I'd definitely buy again for bright sunlit shoots.