Cinestill 50D - 120 Film
Our Price: £14.50 GBP100089
Adapted from Kodak cinema stock, Cinestill 50D 120 film boasts the finest grain available in a commercial medium format film.
A slightly different backing material to the 35mm version means a subtly different final look but what won't change is the exceptional detail and vivid colour - Cinestill 50D is the perfect medium format film for delivering standout images in bright light.
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Cinestill X-Pro Daylight over on EMULSIVE.
Cinestill celebrated it's 5th birthday in 2017, having quickly developed a fantastic reputation world-wide for their innovative approach to fulfilling analogue needs. They are specialists in converting rolls of cinema film - designed for movies - into batches of 35mm and medium format film that can be used in thousands of cameras, and developed in any minilab in the world. Their passion is for everyday photographers to have the same access to high-quality emulsions as Steven Spielberg, Wes Anderson, Martin Scorsese, and The Coen Brothers! Sometimes referred to as Cine Still.
For more information about the brand check out our bio of Cinestill
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Cinestill 50D 120 film today and dive back into the fun of 120 film photography!
Ran a roll of this through my Kiev 6C as a test of the newly repaired shutter. Someone previously removed the aperture from the lens so was stuck on f2.8 on a really bright sunny day so slow film and an ND filter was order of the day.
Tried as much variety as I could around here - a bit of close-up, a bit of greenery and a bit of building, in a mix of full sun and shade, and the film coped nicely with everything.
Did produce a slight yellow cast developed in C41 (I believe this was originally an ECN2 emulsion) but only needed the mildest tweak to the blue curve to correct and the tweak was the same across all the conditions so easy to apply.
A nice, forgiving, film that I'll certainly be using again!
I recently brought out my Bronica ETRS again and decided to go back to experimenting with film. I found it great for a portrait series I am working on. Beautiful grain structure and lovely mood. The slow ISO can be an issue sometimes especially for someone like me who loves using available light but we are blessed with a kind climate here in Malta. Film also converts beautifully to monochrome.
Another drawback is Brexit as I am still waiting for my recent order to be delivered. Tracking shows that it has been stuck at customs since the 1st March.
Otherwise I look forward to continue experimenting with this emulsion and intend trying the 800T version in the near future.
I took this film stock on holiday with me to spain and it worked perfectly because of how bright it was, I also shot ektar but over all I preferred the cinestill over ektar
I bought a selection of about 6 different films to try out and see which ones I liked. This was one of my favourites, having by far the finest/smoothest grain. It also handles light/shadow and colour in a way that is very natural but never boring. The only downside is the price really but I did really like the look of the photos that were taken with this.