Great film, still learning the camera though. Didn't know what to expect as I'd not used the camera before and it had just been fixed. Happy with the results.

Excellent film, that I used a few times in too-light conditions (given I was using a Baby Ikonta with a fastest shutter speed of 1/75th - bright, sunny days maybe weren't the best choice).

Gives a lovely, gritty texture to dark conditions, but in the right light it's pretty sharp (my Baby has a light leak, so there's fogging on the sample shots, but it just adds to the atmosphere).

Definitely better than the Rera Pan 400 I'd tried through the same camera previously.

Shot a roll in this in a 1950s Kodak Brownie. Pleasantly surprised that all the images looked fine.

Nice and gritty 127 film. Nice exposure latitude. Most certainly the best available 127 film. I hope Ilford bring out xp2 on 127....

I put this film through an old Kodak that was made for 127 film. The wind-on was total potluck - I got some cool double exposures but wound through the film really fast. Want to try it again 😊

I purchased a couple of rolls of this film to use at Living History events in my 1912 Kodak VP camera. The results were fantastic, and I very much look forward to using it at future Living History events.

Took a few rolls with me on a trip to the moors with a friend and I loved the results. Used my Kodak 127 Brownie and my Kodak Vest Pocket and got exactly what I hoped to get. The photos look like they could have easily have been taken 100 years ago

I’m a new returner to film and acquired a couple of 127 cameras in job lots from ‘the bay’. I shot this on a Bencini Comet 44 which is about the size of an Olympus Trip and too pretty not to use. It loaded fine on the Paterson reel and I developed in Perceptol 1+3. Very pleased with this first effort. Keep producing this film please!

127 film is difficult to come by nowadays. This is a really great film, and a welcome introduction. I process it myself in Perceptol (rating it at 200ASA and develop it for about 14 minutes, which results in a very clean negative). My scanner is very old, and not very good now, but photographing the neg on a light panel with a digital camera produces good results too. This is a really great film, I just hope that it will continue to be available - I'm so pleased with the results. There are labs who will probably process it, but understandably it is likely to take longer than common formats and C41 film, and anyway I quite enjoy the experience of going back to processing the film myself (though scanning, digital processing and inkjet printing is far more rewarding than I ever found darkroom printing, though I need to be quite aggressive on contrast and sharpening and nose reduction!).

I revived an old 127 camera from 1950s. Film worked really well (see examples).

After using expired 127 for ages, and being disappointed with the results, HP400 is a breath of fresh air. Finally I can use my 127 camera collection and get the best out of them. Being cut down HP5, you know you're going to get great results. I need to order some more....

I ordered a film, which arrived in good time, and have been taking photos with my Brownie 127 first bought about 60 years ago. What a difference from digital, but I'm looking forward to using the rest of the film over Christmas and then finding out the results! It brings back the excitement of waiting.

The perfect “go to” film for street / urbanscape shots.

Super happy to finally get my hands on a 127 film stock for my old Kodak camera, and to be made from HP5 made this an absolute winner.