Description
Silbersalz35 200T 35mm film is the next generation of Kodak Vision stock, offering increased sensitivity, tonality and sharpness in still photography. Rated at 200 ISO, this film captures vivid colours with high contrast when exposed under typical lighting conditions.
Unlike hand-rolled Kodak Vision film, Silbersalz35 is professionally manufactured in metal cartridges and compatible with every 35mm film camera.
Features:
- Kodak Vision 3 film for an authentic cinema aesthetic
- Machine-manufactured for consistency and quality
- Rated at 200 ISO to accommodate a variety of lighting conditions
- Unbeatable detail and colour reproduction
- Process in ECN2 chemistry
Benefits:
- Creative minds can push the boundaries of photography further than ever before with the reliable capabilities of this film
- Photographers who strive to capture authentic moments will appreciate the extra flexibility and enhanced accuracy that Silbersalz provides
- Recreate the unmistakable Hollywood style with SilberSalz magic
Please Note
This film CANNOT be processed in C-41 chemicals or by your typical high-street lab colour machines. The chemical requirement is called "ECN-2" - so when you order development make sure that you select 'ECN-2 development' from the film type dropdown!
Silbersalz recommend that their films are over-exposed by one stop in the camera, so the DX code will read 100.
Specification
| Format: | 35mm |
| Colour: | Colour |
| Type: | ECN-2 |
| ISO: | 200 |
| Exposures: | 36 |
| Pack size: | 1 |
| DX coding: | Yes but 100 |
To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film.
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Customers also bought these
I'm glad I bought a roll of this film to try. Recommended film speed is ISO 250, which was automatically selected when I loaded the roll into my camera. I just love the colour tones, and the details that have been returned in the shadows. The film works well in both bright sunshine and subdued light.
One of my favourites!
so good! natural look and a great foundation for editing
I bought this as a bit of an experiment and was very pleasantly surprised. I shot these with a Canon 7 plus Canon 50mm f2.8 lens. I shot it at 100 ISO but I think that I could have shot it at box speed. These images have been lightly tweaked in Lightroom but they show an extremely fine grain and digital like detail. The colours are very natural (the out of camera colours are a bit cool).
I'm glad I bought a roll of this film to try. Recommended film speed is ISO 250, which was automatically selected when I loaded the roll into my camera. I just love the colour tones, and the details that have been returned in the shadows. The film works well in both bright sunshine and subdued light.
One of my favourites!
so good! natural look and a great foundation for editing
I bought this as a bit of an experiment and was very pleasantly surprised. I shot these with a Canon 7 plus Canon 50mm f2.8 lens. I shot it at 100 ISO but I think that I could have shot it at box speed. These images have been lightly tweaked in Lightroom but they show an extremely fine grain and digital like detail. The colours are very natural (the out of camera colours are a bit cool).
As the title suggests, not only Silbersalz 200T but quite simply the entire Silbersalz range (50D, 200T, 250D, 500T) is THE BEST premium film stock you can buy, it covers everything from bright day light with the D models to dark night shots with the T models under fluorescent / artificial lighting (Street lights, Neon signs etc..) but that being said, I shot 200T during the day and because of the Tungsten layer under sunlight it gives a green hue to the images which depending on the setting transforms the images, so greens stand out more and appear more green / deeper, trees grass etc then opposing colours like the orange coat seen in the samples pop and stand out more against the background than on other film stocks, likewise in environments like the old train station the hue gives off an eary effect. As far as the film itself the entire range of Silbersalz is at its core Kodak vision 3 (Movie film) which is why the film is so good, lines and edges are crisp, colours are next to none, the fine detail is outstanding.... You get the point, if you can justify or afford the elevated cost it is well worth it, even if you kept a roll or two as a "just encase" for special moments or those once in a life time trips, there is no other film I would rather have...
I have submitted 2 reviews to demonstrate more images !
As the title suggests, not only Silbersalz 200T but quite simply the entire Silbersalz range (50D, 200T, 250D, 500T) is THE BEST premium film stock you can buy, it covers everything from bright day light with the D models to dark night shots with the T models under fluorescent / artificial lighting (Street lights, Neon signs etc..) but that being said, I shot 200T during the day and because of the Tungsten layer under sunlight it gives a green hue to the images which depending on the setting transforms the images, so greens stand out more and appear more green / deeper, trees grass etc then opposing colours like the orange coat seen in the samples pop and stand out more against the background than on other film stocks, likewise in environments like the old train station the hue gives off an eary effect. As far as the film itself the entire range of Silbersalz is at its core Kodak vision 3 (Movie film) which is why the film is so good, lines and edges are crisp, colours are next to none, the fine detail is outstanding.... You get the point, if you can justify or afford the elevated cost it is well worth it, even if you kept a roll or two as a "just encase" for special moments or those once in a life time trips, there is no other film I would rather have...
I have submitted 2 reviews to demonstrate more images !
Shot mostly in the dark hand held and got some cool results! Definitely one to have for those creative shots and “cinematic” feel.
I took a roll of this to Texas, but ended up mostly shooting it during the day, where 250D would have made more sense. As a result, the shots were very cool in tone.
After I scanned them, I converted them using NLP with the Auto-warm white balance which neutralised out the coolness to a decent enough amount.
The end results are great, with good latitude, and fine grain, along with pleasing colour tones. Would certainly use again.
A favorite film now. I developed it with the ECN2 process. A lot easier than I thought. I will be definitely be using again.
Beautiful quality to the film that infused the images with an atmosphere all of its own.
Wonderful service and wonderful film. Didn't realise that i couldn't get this developed in my local film shop and had to send back to the Analogue Wonderland team, but was very happy with both the helpful service and quality of the scans. Would definitely purchase again! Thank you.
Wasn't sure what to expect from this but I absolutely love the results. I shot this outside in broad daylight, so there was a blue tinge but nothing that couldn't easily be corrected.












