Street Candy Psychedelic Street 400 - 35mm Film


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C
Cos C. (Glasgow, GB)
Perfect for: Landscapes, Street Photography, Architecture, Creative/Abstract
Accreditation Handles: Cos Coldwater https://coscoldwater.carrd.co/
Contrasty and Gritty

First time using this film in my Nikon EM. It's grainy, but it's also really contrasty, it feels like a high contrast b+w film but with muted colours. I took it for a walkabout around Glasgow and found its palette really pleasing, though not nearly as saturated as, say, Ultramax. Can definitely see myself using this again for more street/architecture stuff. Gives me a Lomochrome Metropolis vibe almost.

H
Hannah f. (City of London, GB)
Accreditation Handles: NA
Enjoyed this film!

I’m new to film photography but I got a few good shots and enjoyed the looks this film gives!

S
Sophie (Mold, GB)
Perfect for: Street Photography, Architecture, Creative/Abstract
A little too washed out for me and not a fan of the roll mess

I'm a wedding photographer and my edit is a slightly de-saturated warm tone so when I come across this film I was obsessed!

Unfortunately after getting the images developed, they're a little too washed out for me, everything looks so cold. It probably doesn't help that the only other film I use is Kodak gold 400 which is one of the brightest rolls you can use paha!

Anyway, my main reason for a low star review isn't for the aesthetic as that's more of a personal preference. It's because this film leaves behind so much light green dust in my Canon AE-1 and it gets EVERYWHERE. It's been a total pain in the butt to clean up to avoid issues with my future film.

Unfortunately I think this ones a no from me!

P
P.K. (Northampton, GB)
Perfect for: Landscapes, Street Photography, Architecture, Creative/Abstract
Retro

If you are looking into making your pictures to look retro, "washed-out", sepia, here's a film for you. Personally, I liked the look of the film. I knew what I was shooting and I liked the results. Definitely cool.

L
Lena R. (Hamburg, DE)
Perfect for: Portraits, Street Photography
Accreditation Handles: AnalogLena
First experience with Psychedelic Street 400

I recently tried Psychedelic Street 400, and I wasn’t sure what to expect since it was my first time using it. The packaging caught my eye, and I love experimenting with new films, so I decided to give it a shot. Although I didn’t get to use it during my trip to England, I took it out for a spontaneous photowalk back home in Germany with my Pentax 17.

I’m really pleased with the results. The film delivered warm tones that perfectly capture a nostalgic summer vibe. It’s got a unique character that adds a certain moodiness to the photos, making it a fun and rewarding choice for anyone looking to try something new. Keep in mind though it renders photos a bit washed out but if it‘s a look you like, definitely go for it.

M
Michael B. (Bristol, GB)
Perfect for: Landscapes, Street Photography, Architecture
Accreditation Handles: 4tacresanaloguephotography.com
A nice Lowfi film

Yes it's desaturated but in a pleasent 70's kind of way. Film is a personal choice and this film is one which I like. The downside - price! It's rather expensive but given a specific project could be well worth another roll.

A
Anne M. (Southwark, GB)
Perfect for: Street Photography, Creative/Abstract
Accreditation Handles: @version3point1
Great if you’re looking to try that ‘washed out’ look

If you’re looking for punchy colours, then perhaps try something else! Psychedelic Street 400 is for people looking for a desaturated, low-contrast vibe - shooting it in bright light or sunshine gives images a dreamy feel. Perhaps not as ‘psychedelic’ as the name implies, but tones are muted, with a green and yellow cast gently coming through.

The grain was a bit more than I was expecting for a 400 speed film shot in mostly bright conditions; in low light, dusk or overcast, expect that grain to come through a little bit more and for things to get lost in the muddy shadows.

Potentially could be used for some creative portrait scenes, but I feel you could probably get the same effect shooting some expired Fuji Superia.

Shot with a Canon EOS 30 and 50mm f1.4.
Processed and scanned by Analogue Wonderland.

S
Samuel D. (Long Preston, GB)
Perfect for: Street Photography, Creative/Abstract
Accreditation Handles: www.samsphotogallery.com @samdavisphotographer
A fun film with a chance to show artistic flare

My favourite characteristic of this film is the muted colours, with warm yellows and prominent, yet almost pastel greens. The more coarse grain gives a pleasing vintage look, but this wasn't what I was expecting from a 400 speed film. A good choice for street photography and still life, but I wouldn't advise using it for portraiture and landscapes that you want to blow up large. A good film, but not technically great and sadly not for me.

T
Tom W. (Edgware, GB)
Perfect for: Portraits, Street Photography, Architecture, Creative/Abstract
Accreditation Handles: Tom Warland
A really nice low saturation film

This is a film that has a lot of warmth but low saturation. The Yellows and Greens are this film's strongest areas.

Shooting it with my Lomo LCA and getting it processed by Analogue Wonderland this week I have a film filled of warm subdued lighting that work really nicely for portraits and street photography in situations where there is strong natural light available. It will be interesting to try it on more overcast or wet weather days

N
Nick (Council Bluffs, US)
Street Candy needs to drop more acid

Literally nothing about these drab washed out tones says psychedelic. I get that you need to find an angle to market different emulsions but come on, at least crack open a dictionary if you’re not going to do the drugs.

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