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Washi S Film 120 B&W ISO 50 - Sound Recording Film

Our Price: £7.50 GBP



Perfect for an exploration of the senses, the Washi S film is an emulsion designed for sound recording - the unique requirements of its source mean this 35mm film has ultrahigh definition, strong contrast and very fine grain.


Format: 120
Colour: B&W
Type: Negative
ISO: 50
Exposures: 16
Pack size: 1


To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Washi S over on EMULSIVE.



For more information about the brand check out our bio of Film Washi


Where we ship

When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy Washi S Film 120 B&W ISO 50 today and dive back into the fun of 120 film photography!

Customer Reviews

Based on 2 reviews
Perfect for: Landscapes
A film with exceptionally fine grain

The film is resilient and able to work well even in cloudy weather. The film has an exceptionally fine grain and lots of contrast and allows very detailed photographs.

Perfect for: Portraits, Street Photography, Creative/Abstract
Deep blacks with red lipstick!

Washi S is a 50 iso film normally used for sound recording. As such, it's made to record a black sound wave on a completely transparent film, no grain and lots of contrast. Washi suggests the best use for the film is for street photography, and they may be right, but I had lots of fun with portraits and close-ups of things enveloped by complete darkness.

It's a partially orthochromatic film, and particularly, it's not sensitive to deep reds, as I sort of suggested in the title, so it's relatively easy to make the lips stand out from the skin when doing portraits.

I developped it in Ilford LC29 1+19, and found that it tends to curl quite a bit. At the same time, the film is so transparent that it's really easy to post-process once it's been scanned. I'm looking forward to printing it in the future.

All in all, it's a great film to try new things with, and to look out for scenes where a lot of contrast is called for. I shot the 120 version on a Rolleicord iii, have yet to try it in 135.